A work in constant progress (and occasional regress).
Release Date:
April 25, 2024
Original Title:
RADIO CLUB HITS: LA PELICULA
Genres:
Music
Production Companies:
SPONSOR DIOS
Ratings / Certifications:
AR: ATP
Art Direction:
Julieta Cucu
Assistant Art Director:
Joaquín Iribarren
Miguel Ángel Alcañiz
Assistant Director:
Lemuel Righi
Joaquin Rossini
Author:
Ysy A
Casting:
Agustina Varela
Catering:
Silvia Rugeri
Color Grading:
Gabriel Argüello Marsal
Creative Director:
Luca Piñeyro Travers
Digital Imaging Technician:
Ana Paula Montenegro
Director:
Ezequiel Calafell
Chucho Baldivia
Director of Photography:
Camila Graiño
Dresser:
Catiana Schmetz
Denise Zelaya
Agustina Ianella Lema
Alfonsina Prieto
La Suarez
Electrician:
Lionel Seilhan
Agustín Stagno Olivera
Rodrigo Lautaro Romero
Joaquín Stylso
Juan Cobo
Executive Producer:
Diego Bassi
Tomás Gabriele Zoratti
Focus Puller:
Tobias Tosco
Martín Benavent
Gaffer:
Juan Cruz Biott
Graphic Designer:
Gio
Grip:
Alejandro Nicolás Manocchio
Maximiliano Cáceres
Mariano Agustín Mosquera
Ramón Jorge Torres
Hairstylist:
Lucas Barber
Lola Sanchez
Key Grip:
José Manocchio
Line Producer:
Camila Gambier
Makeup & Hair Assistant:
Morena Ciorciar
Makeup Artist:
Abril Lawes
Mixing Engineer:
Teezio
Music Producer:
CLUB HATS
ONIRIA
Production Assistant:
Belén Hernández
Paloma Vega
Micaela Mazziotti
Agustina Varela
Production Director:
Lara Deledda
Lorenzo Manion
Carolina Yacoy
Lucas Bustillo
Production Manager:
Clara Grippo
Props:
Carlos Alberto Arce
Raúl Hernán Do Santos
Second Assistant Camera:
Lucía Iusem
Sound Effects:
Jeronimo Sibuet
Still Photographer:
Violetta Capasso
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.