A work in constant progress (and occasional regress).
Release Date:
January 1, 2004
Original Title:
Eye Opener
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 50
Jane Elliott, an internationally acclaimed diversity champion, conducts her Blue-eyed, Brown-eyed Exercise in Glasgow, Scotland with thirty-five volunteers from across the United Kingdom. Many of the blue-eyed participants were shocked at their own reactions to what for many of them was the new experience of being powerless. Many of the brown-eyed participants were shocked at how easy they found it to go along with what was happening even though they knew it was wrong. They all have a better understanding of the systematic nature of racism as well as the awareness of how their actions or inaction can reinforce and perpetuate it. Eye Opener shows this exercise is as relevant and necessary in the UK today as it was in Riceville, Iowa in 1968.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.