A work in constant progress (and occasional regress).
Release Date:
May 22, 2024
Original Title:
El vendedor de ilusiones: El caso Generación Zoe
Genres:
Documentary
Production Companies:
Anima Films
Production Countries:
Argentina
Ratings / Certifications:
GB: 15 PR: R SG: NC16 US: R VI: R
Runtime: 108
This documentary follows the rise and fall of Generation Zoe, a spiritual coaching network hiding the most unusual scam in Argentina's history.
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Additional Gaffer:
Francisco Viamontes
Additional Grip:
Randal Cassata
Stu Miller
Additional Key Grip:
James M. Hicks
Additional Sound Re-Recordist:
Mark Orozco
Art Direction:
Miranda Pauls
Tomas Garrahan
Assistant Art Director:
Camila Rocío Pérez
Assistant Camera:
Mauro Rogelio Pérez
Álvaro Bejarano
Assistant Editor:
Gabriel Fasano
Nicolás Soukiassian
Assistant Grip:
Juan Pablo Pucheta
Camera Operator:
Ignacio López Escrivá
Nicolas Trovato
Color Grading:
Anahí Piccini
Costume Design:
Yanina Pastor
Tomas Garrahan
Digital Imaging Technician:
Francisco Rosso
Pablo Franco
Director:
Matías Gueilburt
Director of Photography:
Nicolas Trovato
Editor:
Mariano Arellano
Marcela Truglio
Electrician:
Ezequiel Matcovich
Joaquin Demaria
Executive Producer:
Sebastián Gamba
Julián Rousso
Matías Gueilburt
First Assistant Director:
Mario Pedernera
Gaffer:
Adrián Leonardo Piñeiro
Key Grip:
Cruz Lisandro Morera
Location Manager:
Javier Parodi
Makeup & Hair:
María Belén Fontana Luchesi
Music:
Diego Olivero
Gastón Baremberg
Online Editor:
Julián Giulianelli
Esteban Golubicki
Producer:
Sebastián Gamba
Production Assistant:
María Gabriela Vera
Props:
Santiago Oliva
Juan Manuel Lupiañez
Second Assistant Director:
Joaquin Gueilburt
Set Decoration:
María Balanza
Sound:
Juan Pablo Souto
Sound Mixer:
Oliverio Duhalde
Visual Effects:
Lionel Cornistein
Matias Costilla
Conan Doyle
Hernán Landini
Louis Medina
Writer:
Nicolás Gueilburt
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.