A work in constant progress (and occasional regress).
Original Title:
Malu e a Máquina
Alternate Titles:
Malu and the Machine
Genres:
Family | Fantasy
Production Companies:
Avera Filmes
Gancho de Nuvem
Odara Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 14
Malu is a 6 year old, always excited to go to the beauty salon with her mother - that is, to play with the old claw machine in the back. Between plans to finally get her favorite stuffed toy, a small colorful clown, everything changes when she turns 7.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Costume Designer:
Bruno Pupe
Assistant Director:
Lorena Figueiredo
Cinematography:
Elisa Souza
Costume Design:
Cláudia Wiltgen
Data Wrangler:
Fred Monteiro
Director:
Ana Luiza Meneses
Editor:
Henrique Laterza
Electrician:
Hendrio Boleli
Executive Producer:
Larissa Rolim
First Assistant Camera:
Joanna Ramos
Gaffer:
Herico Boleli
Key Grip:
Tony Boleli
Makeup & Hair Assistant:
Clarissa Melasso
Makeup Department Head:
Ana Pieroni
Producer:
Gabriel Brito
Production Design:
Helena Dupin
Production Manager:
Daniel Brito
Production Supervisor:
Nelma Fernanda
Property Master:
Sarah Fialho
Screenplay:
Ana Luiza Meneses
Vivi Morais
Helena Dupin
Second Assistant Camera:
Erica Oliveira
Second Assistant Director:
Raíssa Vilela
Sound Recordist:
Bernardo Paixão
Hudson Vasconcelos
Video Assist Operator:
Rafael Paulino
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.