A work in constant progress (and occasional regress).
Original Title:
Dolci Acque
Genres:
Drama
Production Companies:
Sei Ottavi
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 20
In the summer of 1981, Renzo and Monica, two twenty-year-olds from different worlds, fall in love against the backdrop of Lake Garda. Their story reflects the intimacy and challenges of an era, with dreams of social redemption juxtaposed against bourgeois privileges.
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Assistant Camera:
Vincenzo Buonsanto
Assistant Costume Designer:
Michela Tedeschi
Assistant Director:
Clarissa Quaranta
Assistant Production Design:
Matilda Zinetti
Valentina Dagrada
Assistant Sound Editor:
Pavel Scutaru
Best Boy Electric:
Matteo Magnano
Camera Car:
Giovanni Cioli
Casting Consultant:
Elia Paghera
Co-Producer:
Beppe Manzi
Erika Ponti
Alessandro Milini
Anna Astori
Colorist:
Daniel Pallucca
Costume Designer:
Rosa Rossitti
Director:
Luca Grazioli
Director of Photography:
Davide Bianco
Editor:
Simone Brassini
Electrician:
Federico Di Maria
Letizia Ruggenenti
Francesco Bellisario
Executive Producer:
Luca Ferrara
Finance:
Claudius Wick
Víctor Salmerón
Focus Puller:
Pietro Ronzoni
Machinist:
Francesca Avanzini
Makeup & Hair:
Angelo Taetti
Alice Donadio
Music:
Nico Palermo
Producer:
Ilaria Marchetti
Simone Brassini
Luca Grazioli
Production Assistant:
Valeria Roncali
Maria Milini
Production Coordinator:
Corinna Baldini
Production Designer:
Ludovico Gandellini
Screenplay:
Ruben Rossi
Script Supervisor:
Corinna Baldini
Seamstress:
Gabriella Civini
Sound Designer:
Nico Palermo
Sound Engineer:
Matteo Muscas
Story:
Ruben Rossi
Luca Grazioli
Rosa Rossitti
Title Designer:
Lorenzo Guareschi
Transcriptions:
Annalisa Di Liddo
VFX Artist:
Luca Boni
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.