A work in constant progress (and occasional regress).
Release Date:
September 6, 2024
Original Title:
夏目アラタの結婚
Alternate Titles:
Arata Natsume's Marriage
Natsume Arata no Kekkon
夏目的结婚对象
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
Chukyo TV Broadcasting Company
Fukuoka Broadcasting System
Hiroshima Telecasting
KDDI
Miyagi Television Broadcasting
Nippon Television Network Corporation
Office Crescendo
Sapporo Television Broadcasting Company
Shizuoka Daiichi Television
Shogakukan
Stardust Pictures
VAP
Warner Bros. Japan
Yomiuri Telecasting Corporation
Production Countries:
Japan
Ratings / Certifications:
KR: 12
Runtime: 120
Serial killer Shinju Shinagawa , called "Shinagawa Pierrot" for her clown makeup at arrest 3 years ago, remained silent during her first trial. Child consultation center worker Arata Natsume suddenly gets a request from Takuto Yamashita, the child of one of the serial killer's victims, who informs him that he's been corresponding with Shinagawa in his name in order to find out what she did with his father's missing head. Arata pretends to be an elite civil servant but finds that the Shinagawa he meets is different from the one he expected. When she realizes he isn't the sender of the letters, she goes to leave. In a panic, Arata, who never planned on getting married, blurts out "Let's get married!"
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Art Direction:
Isao Hasegawa
Decorator:
Sachio Tanida
Director:
Yukihiko Tsutsumi
Editor:
Chieko Suzaki
Executive Producer:
Nobuyuki Iinuma
Music Producer:
Hideoki Mogi
Original Story:
Tarô Nogizaka
Producer:
Mari Furubayashi
Script:
Ayako Okuhira
VFX Supervisor:
Masashi Kuwahara
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.