A work in constant progress (and occasional regress).
Release Date:
January 1, 1992
Original Title:
Blue Black Permanent
Genres:
Drama
Production Companies:
BFI
British Screen Finance Ltd
Channel 4 Television
City of Edinburgh District Council
Grampian Television
Orkney Islands Council
The Scottish Film Production Fund
Viz Permanent
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 86
In 1990s Edinburgh, Barbara Thorburn reflects on memories of her poet mother, Greta, and her tragic death.
Art Department Assistant:
Tracey Gallacher
Assistant Accountant:
Susan Freeman
Assistant Director:
Gus Maclean
Assistant Director Trainee:
Mo Colvin
Assistant Editor:
Ian Adams
Associate Producer:
Christine MacLean
Boom Operator:
Tony Cook
Casting:
Susie Bruffin
Clapper Loader:
Chris Burns
Co-Producer:
Kate Swan
Costume Design:
Lynn Aitken
Director:
Margaret Tait
Director of Photography:
Alex Scott
Editor:
John MacDonnell
Electrician:
Donny Campbell
Executive In Charge Of Production:
Angela Topping
Executive Producer:
Kate Swan
Ben Gibson
Rod Stoneman
Focus Puller:
Mike Cuthbert
Gaffer:
Andy Stewart
Hairstylist:
Irene Napier
Lighting Technician:
Bill Watkins
Location Manager:
Andrea Calderwood
Sara Barr
Makeup Artist:
Irene Napier
Music Consultant:
Bob Last
Music Director:
David McNiven
Musician:
Allan Macdonald
Original Music Composer:
John Gray
Producer:
Barbara Grigor
Production Accountant:
Louise Coulter
Production Coordinator:
Avril Watt
Production Design:
Andrew Semple
Production Runner:
Tony Sheridan
Script Supervisor:
Pat Rambaut
Second Assistant Director:
Alison Goring
Sound Re-Recording Mixer:
Garry Fiferman
Sound Recordist:
Colin Nicolson
Standby Property Master:
Scott Keery
Still Photographer:
Ken Mellin
Unit Publicist:
Liz Reddish
Wardrobe Assistant:
Helen Keenan
Writer:
Margaret Tait
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.