A work in constant progress (and occasional regress).
Release Date:
March 27, 1999
Original Title:
Two Shades of Blue
Alternate Titles:
Identidad oculta
Genres:
Thriller
Production Companies:
Cutting Edge Entertainment
Hart Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 103
Susan Price has written a #1 bestseller, a steamy novel about a woman's search for the ultimate sexual experience entitled, "The Dark Side of Judith." When Susan is framed for the murder of her fiance, billionare publisher Jack Reynolds, she eludes authorities by changing her identity and becoming the woman she wrote about in her book, Judith Anderson. To find the real killer, Susan goes undercover as a relay operator for the hearing impaired to contact District Attorney Beth McDaniels who is deaf. While relaying intimate phone conversations between Beth and her boyfriend Calvin, Susan discovers her own dark side when she becomes entangled in this voyeuristic world of deceit, intrigue and murder.
ADR Recordist:
Jesse Pomeroy
Associate Producer:
Jack Tiano
Boom Operator:
Mark F. Dennett
Co-Executive Producer:
Jason Shuman
Scott Tiano
Co-Producer:
Adam M. Stone
Costume Design:
Andrea Tiano
Director:
James D. Deck
Director of Photography:
Adam Kane
Editor:
Gabriel Wrye
Executive Producer:
Geno Hart
Richard Glasser
Foley Artist:
Sanaa Kelley
Foley Recordist:
Matthew Forsythe
Music:
Larry Brown
Producer:
David C. Glasser
Joey Horvitz
Production Design:
Ladislav Wilheim
Screenplay:
Ted Williams
Second Unit Director:
Rick Avery
Set Decoration:
Darla R. Hitchcock
Sound Effects Editor:
Eric Jaffe
John Kohlbrenner
Stunt Coordinator:
Rick Avery
Stunts:
Joni Avery
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.