A work in constant progress (and occasional regress).
Release Date:
January 1, 2022
Original Title:
Bakit Tumigil Ang Elevator?
Genres:
Drama
Production Companies:
Bagong Prod
Istoreal Films
Puto Keyk
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 12
An elevator operator assists souls to their rightful destination in the afterlife. Through the stories of her passengers, Jackie seeks to find peace in knowing what comes next after her life ends.
Assistant Director:
Romeo Landayan
Maria Alyssandra Briones
BTS Photographer:
Christian Sacdalan
Casting Director:
John Conrad Hernandez
Maria Alyssandra Briones
Jeric Novero Deniega
Jhon Cristian Barretto
Colorist:
Romeo Landayan
Continuity:
Maria Alyssandra Briones
Director:
Ron Ruzzel Valencia
Director of Photography:
Ron Ruzzel Valencia
Editor:
Romeo Landayan
Gaffer:
Ceryl Añonuevo
John Conrad Hernandez
Lighting Director:
Ron Ruzzel Valencia
Location Manager:
Jaspher Lanuza
Location Scout:
Ron Ruzzel Valencia
Makeup & Hair:
Prince Jhelo Jasmin
Music Score Producer:
Joshua Navarro
Production Assistant:
John Paulo Galvez
Vincent Garcia
John Conrad Hernandez
Production Designer:
Jhon Cristian Barretto
Kristeen Mia Lucero
Production Manager:
Ceryl Añonuevo
Score Engineer:
Joshua Navarro
Set Designer:
John Conrad Hernandez
Ceryl Añonuevo
Sound Designer:
Romeo Landayan
Ron Ruzzel Valencia
Sound Director:
Jaspher Lanuza
Translator:
Maria Alyssandra Briones
Wardrobe Master:
Jhon Cristian Barretto
Writer:
Maria Alyssandra Briones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.