A work in constant progress (and occasional regress).
Release Date:
May 24, 2002
Original Title:
No debes estar aquí
Alternate Titles:
Não Devias Estar Aqui
You Should Not Be Here
Genres:
Horror | Thriller
Production Companies:
Alquimia Cinema
Atresmedia
Ensueño Films
Fidélité Productions
TeleMadrid
Telefe
Vía Digital
Production Countries:
Argentina | France | Spain
Ratings / Certifications:
N/A
Runtime: 96
A group of young amateurs participants in chats begin a risky game, attracted by the mysterious personality of a surfer. In one of these adventures, one of them dies. Then begins a nightmare of suspicion between them.
Art Direction:
Carlos Bodelón
Assistant Camera:
Francisco Caballero
Usue Sanz
Álvaro Gutiérrez
Raúl Manchado
Raúl García
Assistant Director:
Jorge Calvo
Assistant Makeup Artist:
Cecilia Escot Mangas
Assistant Property Master:
Luis Doce
Assistant Set Decoration:
Alejandro Montero
Associate Producer:
Mercedes Gamero
Carlos Luis Mentasti
Marc Missonnier
Miguel Menéndez de Zubillaga
Boom Operator:
Alberto García Altez
CGI Supervisor:
Segundo Casero
Camera Operator:
Luis Berraquero
Paco Belda
Casting:
Luis Gimeno
Cinematography:
Néstor Calvo
Color Timer:
Antonio Álvarez
Construction Manager:
José Luis Moya
Costume Design:
Clara Bilbao
Delegated Producer:
Juan Carlos Caro
José Torrescusa
Digital Compositor:
Helmuth Barnert
Gonzalo Moure
Marcos Onaindia
Emilio Pérez
Nacho Cepero
Digital Effects Producer:
Silvia Torralba
Digital Effects Supervisor:
Noelia Gorrón
Alfonso Nieto
Juanjo Carretero
Director:
Jacobo Rispa
Dolby Consultant:
Ricardo Viñas
Editor:
Buster Franco
Electrician:
José Luis Arcos
Alfredo González
Óscar de Luna
Félix Pascual
Emiliano Merino
Luis Miguel Daza
Juan Antonio Fernández de Quesada
Executive Producer:
Ricardo García Arrojo
Foley Artist:
Manuel Carrión
Gaffer:
Juan Carlos Rodríguez
Generator Operator:
Santiago Millán
Graphic Designer:
Marcelo Moramonti
Grip:
Fernando López
Hairstylist:
Susana González
Key Grip:
Ángel Gómez Alcoholado
Ángel Gómez
Line Producer:
Marta Miró
Makeup Artist:
Susana González
Makeup Department Head:
Susana Sánchez
Music:
Federico Jusid
Negative Cutter:
Esperanza González
Post Production Coordinator:
Yoya Fernández
Producer:
Francisco Ramos
Tadeo Villalba Jr.
Production Design:
Carlos Bodelón
Production Director:
Marta Miró
Production Supervisor:
Marcos Onaindia
Property Master:
Domingo Merino
Props:
Pedro Martínez
Juan Carlos Mateos
Script Supervisor:
Lourdes Navarro
Second Assistant Camera:
Albert Carreras
Second Assistant Director:
Borja Machado
Set Decoration:
Carlos Bodelón
Set Designer:
Juanan Padilla
Sound Editor:
María Steinberg
Juan Ferro
Sound Effects:
Manuel Carrión
Sound Engineer:
Guillermo Solana
Sound Mixer:
Alfonso Raposo
Special Effects:
Reyes Abades
Luis Monje
Special Effects Assistant:
Román Cabrera
Eduardo Barragán
Special Effects Makeup Artist:
José Quetglás
Susana Sánchez
Special Effects Technician:
César Abades
Juan Carlos Corroto
Ángel Alonso
Steadicam Operator:
Juanjo Sánchez
Still Photographer:
Paco Lucas
Javier de Benito
José Haro
Storyboard Artist:
Francis Díaz Fontán
Third Assistant Director:
Karin Marzocchini
Nacho Fernández de Tejada
Video Assist Operator:
Carlos Catalán
Wardrobe Assistant:
Nerza Bilbao
Isolda Fernández de Valderrama
Letícia Vázquez
Writer:
Nacho Cabana
Ernesto Pozuelo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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