A work in constant progress (and occasional regress).
Release Date:
September 5, 2024
Original Title:
Смотри на меня!
Genres:
Drama
Production Companies:
Central Partnership
МВФильм
Production Countries:
Russia
Ratings / Certifications:
N/A
Runtime: 120
Post-WWII Russia, industrial city of Sverdlovsk. Former opera singer and mother to four children, Nina Levitskaya knows nothing about the fate of her husband. Communist party functionary Alexander disappeared almost a year ago and is now rumored to be in Moscow. With life becoming increasingly hard for the family, Nina decides to risk it all in hope of a reunion. She hastily sells everything she can, gathers her children, and sets out for the capital.
Assistant Costume Designer:
Tatyana Lukyanchuk
Alexandr Korolev
Assistant Director:
Arina Zaykova
Assistant Production Design:
Konstantin Bronnikov
Valeriya Kataeva
Associate Producer:
Diana Krupnik
Camera Operator:
Aleksandr Samoylov
Camera Technician:
Anton Alekseev
Costume Designer:
Valentin Gnezdilov
Data Wrangler:
Maksim Zhovtnevoy
Decorator:
Mikhail Bulgakov
Elisey Varavin
Director:
Vladimir Grammatikov
Director of Photography:
Alisher Khamidkhodzhaev
Editor:
Olga Grinshpun
Oksana Karchevskaya
First Assistant Director:
Ekaterina Viletnik
Focus Puller:
Anton Smirnov
Line Producer:
Larisa Moiseeva
Makeup Designer:
Valerie Ver
Original Music Composer:
Vladimir Davydenko
Painter:
Anna Bushkova
Producer:
Marina Zhigalova-Ozkan
Vadim Vereshchagin
Svetlana Zimagorova
Ekaterina Viletnik
Production Artist:
Alexey Chirkov
Alexey Chirkov
Sergey Rzhemovsky
Nikolay Legkiy
Mikhail Zamyatin
Alexey Bobkov
Roman Savchenko
Production Design:
Mariya Turskaya
Script Supervisor:
Marianna Bolgachenko
Sound Recordist:
Ivan Godunov
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.