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Sensei's Pious Lie (2024) [N/A]

Release Date:
July 5, 2024

Original Title:
先生の白い嘘

Alternate Titles:
Sensei no Shiroi Uso
선생님의 하얀 거짓말

Genres:
Drama

Production Companies:
Kodansha
RIKI PROJECT
Shochiku
Shochiku Studio
The Asahi Shimbun

Production Countries:
Japan

Ratings / Certifications:
JP: R15+ 

Overview from TheMovieDB

Misuzu Hara (Nao) works as a high school teacher and prefers to keep a distance from her students. In her past, she was raped by her best friend’s boyfriend Hayafuji after he found out she liked him. She didn't report the crime to the police and she didn't tell anyone else what happened. She still suffers from the trauma from what happened, but she continues to have a forceful relationship with Hayafuji who is now her best friend’s fiancee. One day, a rumor spreads that her student Yuki Niizuma is in a secret affair. Misuzu Hara, as his teacher, has a meeting with him to provide counseling.

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Production

Art Direction:
Ran Kobayashi

Co-Executive Producer:
Masahiro Handa

Decorator:
Tomohiro Iwamoto

Director:
Koichiro Miki

Editor:
Koichiro Miki

Music:
Kotringo

Music Producer:
Mami Takaishi

Original Music Composer:
Kotringo

Original Story:
Torikai Akane

Producer:
Takuro Nagai

Screenplay:
Naoko Adachi

Sound Effects:
Natsuko Inoue

Sound Recordist:
Shimpei Harakawa

Theme Song Performance:
yama

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.