A work in constant progress (and occasional regress).
Release Date:
April 7, 2024
Original Title:
XCLD: The Story of Cancel Culture
Genres:
Documentary
Production Companies:
MSNBC Films
Ratings / Certifications:
N/A
Runtime: 44
The notion of Cancel Culture, which grew out of a mostly progressive move to hold people accountable for bad behavior (especially racist or misogynistic language), has recently been co-opted by conservatives who–in equal measure–bemoan its “woke” goals, cast themselves as its victims, and attempt to use it themselves as a political powerplay, while seeking to deplatform opponents with similar strategies. But is Cancel Culture really new? Or really that powerful? Or really that bad? XCLD is a nuanced look at this provocative and controversial issue that explores the evolution of Cancel Culture, from its history in different forms, to its contemporary genesis on Black Twitter, to where it is today: another divisive issue for people to argue over, and one that creates some exceptionally odd bedfellows
Associate Producer:
Jessica Cochran
Director:
Ferne Pearlstein
Executive Producer:
Rashida Jones
Trevor Noah
Writer:
Trevor Noah
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.