A work in constant progress (and occasional regress).
Original Title:
Marlène en mémoire
Genres:
Drama | Romance
Ratings / Certifications:
N/A
Runtime: 24
Paul, 25 ans, mec blasé et doucement déçu par la vie se retrouve seul avec Marlène le temps d’une soirée lors de laquelle, perdus dans un quartier industriel de Montréal, ils devront retrouver leur chemin vers leur chez soi sans internet ni argent tout en trouvant des raisons pour ne pas succomber à la tentation de l’infidélité. Récit à propos de l’homme et la femme, de l’importance vitale de l’imagination, à propos des mensonges qu’on se laisse croire collectivement pour passer au travers de la vie. 25-year-old Paul, a jaded man who is gently disappointed by life, finds himself alone with Marlène for an evening in which, lost in an industrial district of Montreal, they will have to find their way back home without internet or money while finding reasons not to succumb to the temptation of infidelity. Story about man and woman, the vital importance of the imagination, about the lies we let ourselves believe collectively to get through life.
Art Direction:
Florence Racicot-Mainguy
Assistant Director:
Jérémie Gravel
Assistant Director of Photography:
Antoine Jacob
Colorist:
Antoine Jacob
Costume Designer:
Leyanne Adam-Tardif
Director:
Rosemarie Caron
Director of Photography:
Juliette Lacombe
Editor:
Jérémie Gravel
Raphaël Nadeau
Executive Producer:
Charbel Tayeh
Grip:
Camilo Mendoza
Music Director:
Samuel Therrien
Script:
Maya Chevillard
Sound:
William Houde
Jacob Castonguay
Sound Editor:
Vincent Ménard
Writer:
Xavier Paradis
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.