A work in constant progress (and occasional regress).
Release Date:
October 18, 2024
Original Title:
Wrooklyn Zoo
Genres:
Action | Drama | Romance
Production Companies:
Canal+
Dolnośląskie Centrum Filmowe
Juice
głębokiOFF
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 128
Eighteen-year-old Kosa is the best skater in Wrocław. He has a beautiful girlfriend, great friends, an adored grandfather and a clear plan for the future - he wants to win a prestigious skateboarding competition with a lot of money at stake and a trip to Los Angeles. Everything changes dramatically when, during a carefree vacation, Kosa meets Zora - a magnetic Romani girl, with whom magic and a passionate feeling that he has never experienced before enters the boy's life.
Accountant:
Katarzyna Myszkowska
Administration:
Monika Treichel
Animation:
Tomasz Woroniak
Radosław Grec
Katarzyna Gwoździk
Kamil Kowalski
Paweł Żugaj
Assistant Editor:
Oskar Szymański
Assistant Production Design:
Marta Piotrowska
Assistant Production Manager:
Agata Kilian
Michał Piałucha
Associate Producer:
Alicja Grawon-Jaksik
Best Boy Lighting Technician:
Łukasz Fantoli
Boom Operator:
Marcin Feszczuk
Adam Białoskórski
Casting:
Karolina Romuk-Wodoracka
Sylwia Błaszczyk
Catering:
Marek Kraśnicki
Choreographer:
Bartosz Burka
Co-Producer:
Adam Tunikowski
Beata Ryczkowska
Filip Bałdyga
Magdalena Klich-Kozłowska
Natalia Stysło
Compositing Artist:
Szymon Jaskuła
Przemysław Czapla
Tomasz Głowiak
Khan Fazal
Krzysztof Łucki
Justyna Podrożny
Tomasz Potakowski
Piotr Raczek
Sergiusz Talashka
Costume Assistant:
Marcel Leonardo Savić
Monika Mirowska
Marianna Janicka
Costume Design:
Zofia Komasa
Data Wrangler:
Jan Wachowski
Tomasz Herbst
Digital Intermediate:
Maciej Mika
Director:
Krzysztof Skonieczny
Director of Photography:
Adam Pietkiewicz
Editor:
Sebastian Mialik
Foley:
Miłosz Bogić
Denis Dubiella
Izabela Wiejaczka
Mateusz Irisik
Wojciech Grabowski
Graphic Designer:
Marcin Kuligowski
Grip:
Paweł Liberman
Łukasz Konarzewski
Jerzy Matczuk
Hairstylist:
Kacper Rączkowski
Key Grip:
Edwin Wolski
Lighting Artist:
Andrzej Sykut
Mikołaj Lalak
Makeup Artist:
Weronika Zielińska
Music Consultant:
Agnieszka Putkiewicz
Musician:
Piotr Wróbel
Jakub Kluś
Raphael Rogiński
Jan Młynarski
Dominik Strychalski
Marta Maślanka
Wojciech Bafeltowski
Wiktoria Błaszczak
Olivia Bujnowicz-Wajdowska
Wojciech Sojka
Original Music Composer:
Jakub Więcek
Pipeline Technical Director:
Tomasz Dyrduła
Producer:
Olga Bibik
Krzysztof Skonieczny
Ara Keshishian
Petr Jákl
Producer's Assistant:
Karol Ulman
Production Design:
Stefania Strzałkowska-Rajca
Maciej Strzałkowski-Rajca
Production Manager:
Aleksandra Musiał
Props:
Marcin Wąsowski
Shading:
Denys Karpenko
Sound:
Bart Putkiewicz
Sound Designer:
Bart Putkiewicz
Sound Editor:
Bart Putkiewicz
Olga Zalewska
Katarzyna Kowalczyk
Special Effects:
Jaroslaw Miksa
Błażej Litwiński
Jacek Bykowski
Lukasz Grzelak
Special Effects Coordinator:
Tomasz Bykowski
Janusz Bykowski
Michał Wićko
Bartłomiej Stępniak
Fabian Stępniak
Steadicam Operator:
Maciej Tomków
Mateusz Wasążnik
Still Photographer:
Łukasz Bąk
Wojciech Januszewski
Patryk Sawicki
Jakub Freter
Storyboard:
Artur Gołębiowski
Stunt Coordinator:
Grzegorz Jurek
Stunts:
Piotr Grzelak
Krzysztof Wojciechowski
Piotr Sypniewski
Filip Koszut
Jolanta Komar
Ksawery Bidermann
Mateusz Garbacz
Marcin Sieniawski
Tomasz Krzyżanowski
Maciej Drewnik
Iwan Nylpiuk
Maciej Larski
Thanks:
Agnieszka Smoczyńska
Translator:
Michał Kwiatkowski
Kamil Barbarski
VFX Artist:
Paweł Jasiński
Kamil Kryński
Mariusz Płudowski
Paweł Pojedynek
Video Assist Operator:
Mikołaj Fudali
Visual Effects:
Szymon Jaskuła
Visual Effects Art Director:
Adam Tunikowski
Visual Effects Producer:
Olga Rabiecka
Jurand Szela
Visual Effects Supervisor:
Szymon Jaskuła
Vocals:
Karolina Skrzyńska
Writer:
Krzysztof Skonieczny
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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