A work in constant progress (and occasional regress).
Original Title:
Better Than I Was
Genres:
Drama | Family
Production Companies:
No Cube
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 17
After six years of estrangement, Gene returns home for Thanksgiving. In the events leading up to dinner, Gene attempts to reconnect with their sister and brother, both resentful of Gene's long absence, while the unwavering conservatism of their parents poses a challenge to Gene's authenticity.
Assistant Editor:
Stephen Worsham
Casting Director:
BreAnna Romero
Colorist:
Dahae Lee
Data Wrangler:
Stephen Worsham
Dialogue Editor:
Parker Muckenfuss
Director:
Julien Pedro
Director of Photography:
Kat Fortey
Editor:
Julien Pedro
Executive Producer:
Julien Pedro
Kat Fortey
First Assistant Camera:
Mauricio Herrera Manzur
Amelia Ray
First Assistant Director:
Alejandro Medina
Foley Artist:
Allison Blum
Aiden Jones
Christian Mesiano
Gaffer:
Alexander Baldwin
Graphic Designer:
Joven Delay
Grip:
Knox Blakeley
Brittney Scott
Joey Zizza
Key Grip:
Quinn Matheson
Location Sound Mixer:
Abigail Blommel
Makeup Artist:
Elinor Glassco
Music Arranger:
Mary Catherine Burns
Music Editor:
Samuel Shearer
Musician:
Föss
Post Production Supervisor:
Andy Pedroza
Producer:
Julia Moran
Joey Rudzinskas
Production Assistant:
Abigail Blommel
Indi Hajeski
Truman Matheny
Production Designer:
Julianne Cantwell
Property Master:
Kai Buffington-Cogliano
Script Supervisor:
Elinor Glassco
Second Assistant Camera:
Elinor Glassco
Samuel Shearer
Danielle Walker
Sound Effects Editor:
Sophia Reid
Sound Supervisor:
Chelsea Rae Adams
Special Effects Makeup Artist:
Colleen Jones
Steadicam Operator:
Will Travis
Still Photographer:
James Aidan King
Storyboard Artist:
Camille Head
Title Designer:
Elizabeth Pinotti
Unit Production Manager:
Maya Harwood
Writer:
R Roustom
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.