A work in constant progress (and occasional regress).
Release Date:
August 6, 2025
Original Title:
Linije želje
Alternate Titles:
Desire Lines
Genres:
Drama
Production Companies:
Dart Film & Video
Flaneur Films
Mak Film
Marletti
Pipser
seriousFilm
Production Countries:
Bosnia and Herzegovina | Croatia | Germany | Netherlands | Serbia
Ratings / Certifications:
N/A
Runtime: 107
Branko obsessively trails his brother through Belgrade, trying to fathom his unusual behavior, but realizes along the way that he himself is the strange one, an observer, an apparition. Branko keeps walking and leaves the city behind, passing through landscapes and borders on his way to somewhere else: a place where everyone and everything has a story to share.
Camera Operator:
Ivan Marković
Cinematography:
Ivan Marković
Co-Producer:
Armin Hadžić
Marc Thelosen
Miljenka Čogelja
Zsuzsanna Kiràly
Dane Komljen
Costume Design:
Strahinja Tabaković
Director:
Dane Komljen
Director of Photography:
Ivan Marković
Jenny Lou Ziegel
Editor:
Marko Ferković
Line Producer:
Dragana Jovović
Makeup & Hair:
Tina Jasenković
Original Music Composer:
Jakov Munižaba
Producer:
Nataša Damnjanović
Vladimir Vidić
Production Design:
Dragana Baćović
Ana Ivanišević
Production Manager:
Čarna Vučinić
Sound Designer:
Jakov Munižaba
Sound Mixer:
Tim van Peppen
Writer:
Dane Komljen
Tanja Šljivar
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.