A work in constant progress (and occasional regress).
Release Date:
October 15, 2025
Original Title:
Chien 51
Genres:
Action | Crime | Science Fiction | Thriller
Production Companies:
Artémis Productions
Chi-Fou-Mi Productions
France 2 Cinéma
Shelter Prod
StudioCanal
Production Countries:
Belgium | France
Ratings / Certifications:
N/A
Runtime: 100
Paris, 2045. The capital's population is monitored by an artificial intelligence named Alma, and divided into three zones. Each zone groups together the same social class. One day, the AI's creator is murdered. The investigation is entrusted to Salia, a policewoman from zone 2, and Zem, a policeman from zone 3.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Grip:
Darius Vernhes Delaunay
Additional Hairstylist:
Alexandra Becquet
Assistant Camera:
Maxime Lebas
Assistant Editor:
Julie Wuillai
Assistant Production Manager:
Pauline Cailloce
Assistant Property Master:
Sébastien Daumas
Boom Operator:
Simbad Aguttes
Clément Trahard
Lucie Chauveau
Casting:
Clément Quentin
Casting Director:
Michaël Laguens
Construction Buyer:
Antonio Nogueira
Construction Manager:
Arnaud Ahier
Digital Compositor:
Alexis Faton
Olivier Gilles
Maud Maryn
Director:
Cédric Jimenez
Drone Operator:
Frederic Moura
Drone Pilot:
Alex Bouton
Pierre Bruley
Walter Romand
Extras Casting:
Audrey Gatimel
Extras Casting Assistant:
Adrien Micallef
Camille Sanchez
First Assistant Art Direction:
Bertrand Hée
First Assistant Camera:
Franck Leclerc
First Assistant Director:
Fabien Vergez
Focus Puller:
Jean-Christophe Allain
Samuel Beal-Rainaldy
Grip:
Bruno Dransart
Olivier Joudiau
Hair Department Head:
Romain Marietti
Location Scout:
Fabien Pondevaux
Fanny Franssen
Makeup Department Head:
Myriam Hottois
Novel:
Laurent Gaudé
Original Music Composer:
Guillaume Roussel
Painter:
Flavia Tassin
Anthony Zitouni
Producer:
Hugo Sélignac
Propmaker:
Charlotte Abeille
Screenplay:
Cédric Jimenez
Olivier Demangel
Sculptor:
Gilles Bontemps
Second Assistant Camera:
Florine Jacquemot
Lucas Leclerc
Second Assistant Director:
Zineb Tamazit
Nicolas Bureau
Set Costumer:
Camille Lartigue
Set Designer:
Ricardo Jacobo
Set Dresser:
Mathias Canard
Francois Jouars
Sound:
Cédric Deloche
Sound Assistant:
Margot Delaunay
Special Effects Assistant:
Marc Lemeslier
Special Effects Supervisor:
François Philippi
Stunts:
Mehdi Abdelhakmi
Jeanne Allard
Dustin Audibert
Yannis Bibie
Amadéo Cazzela
Charly Schmitt
Ahmed Chouikhi
Audrey Golay
Hugo Galbiati
Chloé Machin
Lucas Martinelli
Esteban Oliva
Teddy Ponceau
Florine Silva
Bryan Vigier
Supervising Sound Editor:
Gurwal Coïc-Gallas
Swing:
Raphaël de Chauveron
Léopold Bossuet
Third Assistant Camera:
Dune Allain
Eoline Laurent
Lenny Leclerc
Third Assistant Director:
Txomin Vergez
Camille Smagghe
Underwater Camera:
Victor Maes
Unit Manager:
Jean-Christophe Gastaudo
Visual Effects Editor:
Anna Fusacchia
Océane Pellé
Simon Pennequin
Visual Effects Producer:
Nicolas Martre
Visual Effects Supervisor:
Morgan Hardy
Wardrobe Assistant:
Melody Cheyrou
Lucie Rafoni
Wigmaker:
Dorothée Soual
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.