The Redemption of Sin (2024) [N/A]

Release Date:
October 17, 2024

Original Title:
Tebusan Dosa

Genres:
Drama | Horror | Mystery | Thriller

Production Companies:
INFIA
Karma Club
Kuy! Production
Legacy Pictures
Palari Films
Phoenix Films
Showbox
SinemArt
StickEarn
Volix Pictures

Production Countries:
Indonesia | South Korea

Ratings / Certifications:
ID: 13+|17+  MY: P13 

Runtime: 116

Saatnya menebus dosamu.

When the police halt their search, a troubled mother works with a podcaster to find her missing daughter but faces a dark force that haunts her.

Additional information:

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ADR Editor:
Dipa Kurnia Abhinawa

ADR Recordist:
Dipa Kurnia Abhinawa

Additional Camera:
Nadim Eggar Laksono

Art Direction:
Okie Yoga Pratama

Assistant Art Director:
Zulfahmi Nazir

Assistant Costume Designer:
Amatya Talita
Adlan Rosyadan

Assistant Editor:
Annisa F. Rawung
Ahmad Wildan

Assistant Gaffer:
Muridho

Assistant Grip:
Fahmi Fauzi

Assistant Makeup Artist:
Widya Sinta Cahya Meilani
Cyntia Anjung Pangestuti
Graciella Siong
Urfi Donaly
Karnadiyya Nayurasti
Egiettia Zahrani Ayuningtyas
Siti Mutmainnah

Assistant Unit Manager:
Heri Syainudin

BTS Videographer:
Amar Haikal
Muhammad Harsya

Boom Operator:
Rahmat Paisal

Casting Assistant:
Kiswati Anjarini

Casting Coordinator:
Kusworo Hadi
Ayas Merah
Nurudin Sidiq Mustofa
Eky Oktav
Rindiyani Zuri U.S.

Casting Director:
Joan Ardiana
Ibnu Widodo
Abdul Rachman Hidayat

Clapper Loader:
Ikhwan Nur Dzaman

Colorist:
Trisna H.S.

Construction Coordinator:
Maman Suherman

Construction Foreman:
Kasmanto
Aria Dian Peratama
Mujipriyoto
Sapik
Uman
Supadi
Ngatono
Rusman Gunawan
Subiyantoro

Continuity:
Helmi Agus Nugroho

Costume Designer:
Karin Wijaya

Costume Supervisor:
Venny Baryanto

Digital Imaging Technician:
Faidhotur Rachmah

Director:
Yosep Anggi Noen

Director of Photography:
Teoh Gay Hian

Drone Pilot:
Kristianus Nugroho Pudyantoro
Febian Deri Eka Putra

Editor:
Akhmad Fesdi Anggoro

Executive Producer:
Lisbeth Simarmata
You Jeong-hun
David S. Suwarto
Edo Wicaksono
Natalie Balakrishnan
Trivet Sembel
Aji Pratomo
Aldi Haryopratomo
Charlie Shin
Judy Ahn
Sean Gelael
Nadif Zahiruddin
Rajnikania Rafil Perdana
Garry Limanata
Ali Salim
Nathaniel P. Gunawan

First Assistant Camera:
Ucok Timbul Siadari

First Assistant Director:
Riri Pohan

Foley Editor:
Moch. Zaqi

Foley Recordist:
Joko Prawoto

Gaffer:
Joni Irawan

Jimmy Jib Operator:
Teddy Herwanto

Key Grip:
Madinah

Lighting Technician:
Adi Suryo P.
Andas
Rahmad Dwiangga Saputra
Mufti Widodo
Purwanto

Line Producer:
Arya Sweta
Ari Seftilia

Location Assistant:
Muhammad Taufik Fatah Yasin
Taufiq Hidayat
Andi Caniago

Location Manager:
Muammar Bazargan

Makeup Artist:
Astrid Sambudiono

Original Music Composer:
Yudhi Arfani
Zeke Khaseli Gumelar

Post Production Coordinator:
Fachri Ali
Moch. Asad Azwin

Producer:
Muhammad Zaidy
Meiske Taurisia

Production Accountant:
Susilawati

Production Assistant:
Farid F. Ali
Nazhiha Zakhina

Production Runner:
Ahmad Ridho
Didik Prasetyo
Jumari

Property Master:
Norton Handri
Fadil Achmad
Fahmy Rizqy
Gery

Script Supervisor:
Hendi Irnandi

Second Assistant Camera:
Pratama Muhammad

Second Assistant Director:
Leon Lolang

Senior Colorist:
Rivai Chen

Sound Designer:
Wahyu Tri Purnomo

Sound Effects Editor:
Christopher Chayadi
Yordana Alfarisyi

Sound Recordist:
Tommy Fahrizal

Standby Art Director:
Sofian Hadi

Still Photographer:
Jozz Felix
Yuyu Winnetou

Stunt Coordinator:
Abah Dinar

Stunts:
Asep Karya
Jaka Alfari
Angga Muharam
Tiyan Majid
Sarkum Caruy
Minarni Johan

Transportation Captain:
Yaumul Huda

Unit Production Manager:
Sofhy Pratiwi

Utility Sound:
Wina Wilsyam

VFX Artist:
Naradhipa
Ainur Afis Ramadhan
Putu Gde Oka

Visual Effects Supervisor:
Naradhipa

Writer:
Alim Sudio
Yosep Anggi Noen

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.