A work in constant progress (and occasional regress).
Release Date:
February 19, 2025
Original Title:
Häjyt 2
Alternate Titles:
Häjyt 2: The New Generation
Genres:
Drama
Production Companies:
Nummela Filmi
Solar Films
Production Countries:
Finland
Ratings / Certifications:
FI: K-16
Konsta has just been released from prison and has returned to his people in the countryside. Past grudges drive him back into the drug business, despite the efforts of those around him to keep him on the right track. In the end, Konsta is forced to confront his past in a surprising way and makes a decision that will determine the rest of his life.
"B" Camera Operator:
Jari Mutikainen
Boom Operator:
Rauno Mynttinen
Colorist:
Marko Terävä
Costume Design:
Riitta-Maria Vehman
Dialogue Editor:
Olli Pärnänen
Director:
Aleksi Mäkelä
Director of Photography:
Pini Hellstedt
Dramaturgy:
Lassi Vierikko
Editor:
Kimmo Taavila
First Assistant Camera:
Elina Eränen
First Assistant Director:
Rebecca Kurtén
Foley Artist:
Tapio Liukkonen
Gaffer:
Janne Jääskeläinen
Key Grip:
Olli Kukkonen
Lighting Technician:
Arttu Korpela
Line Producer:
Maria Kaurismäki
Location Manager:
Markus Uotinen
Jori Hämäläinen
Location Scout:
Markus Uotinen
Makeup Designer:
Jenni Aejmelaeus-Pyysing
Online Editor:
Ari Rusanen
Original Music Composer:
Kalle Chydenius
Producer:
Jukka Helle
Markus Selin
Hanna Virolainen
Production Design:
Pirjo Rossi
Production Sound Mixer:
Sauli Jouttijärvi
Script Supervisor:
Kati Suhonen
Second Assistant Director:
Milla Nokelainen
Sound Designer:
Pekka Karjalainen
Sound Editor:
Pekka Karjalainen
Sound Re-Recording Mixer:
Pekka Karjalainen
Steadicam Operator:
Jari Mutikainen
Still Photographer:
Cata Portin
Stunt Coordinator:
Juha Pursiainen
VFX Artist:
Jimi Kujanpää
Writer:
Petja Lähde
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.