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Chrysotile (2024) [N/A]

Release Date:
March 12, 2024

Original Title:
Chrysotile

Production Companies:
La Société du Sensible

Ratings / Certifications:
 N/A

Runtime: 60

Overview from TheMovieDB

One of the most dangerous yet simultaneously highest-in-demand product for a number of uses and years – asbestos is all set for a close-up in this ingenious film breaking down the boundaries between investigative documentary, experimental essay, and video art. Filming every aspect of this covertly lethal mineral, from its molecular structure, and its industrial uses to its removal attempts, with a distinctively artistic and highly inspired cinematic language, the film constructs a mysterious cinematic landscape as unfamiliar as it is entrancing. Sarah del Pino, a multi-faceted and restless visual artist, delivers a film that defies every label but opens itself up to a wide range of interesting fields, steering thoughts and senses to unpredictable, prolific paths.

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Production

Cinematography:
Anouck Thédenat
Lola Humé
Felix Besson
Sarah del Pino

Director:
Sarah del Pino

Editor:
Fatima Bianchi

Music:
Agnès Kracht-Noël

Producer:
Clothilde Bunod
Nadège Labé
Adrien Louis

Screenplay:
Aude Thuries
Sarah del Pino

Sound:
Alexander Bracq
Lenny Moreau
Christine Dancausse
Ivan Broussegoutte

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.