A work in constant progress (and occasional regress).
Release Date:
September 9, 2006
Original Title:
Stranger Than Fiction
Alternate Titles:
L'Incroyable Destin de Harold Crick
Mais Estranho que a Ficção
Marc Forster s Stranger than Fiction
Más Extraño Que La Ficción
Más Extraño que la Ficción
Más extraño que la ficción
Nə Olar Məni Öldürmə
Plus étrange que fiction
Qurğudan Daha Qəribə
Sukurtas Haroldas
Vero come la finzione
Väljamõeldisestki veidram
Πιο παράξενο κι από παράξενο!
Не може да бъде!
Персонаж
口白人生
스트레인저 댄 픽션
Genres:
Comedy | Drama | Fantasy | Romance
Production Companies:
Columbia Pictures
Mandate International
Mandate Pictures
Three Strange Angels
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 12 DE: 6 DK: 7 GB: 12A HU: 12 IE: 12A KR: 12 NL: 6 NO: 12 US: PG-13
Runtime: 113
Harold Crick is a lonely IRS agent whose mundane existence is transformed when he hears a mysterious voice narrating his life.
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"A" Camera Operator:
Jim McConkey
ADR Mixer:
Greg Steele
David Weisberg
Robert Deschaine
Michael Miller
Additional Hairstylist:
Agnes M. Gibicar
Art Department Coordinator:
Kristin Hanson
Art Direction:
Craig Jackson
Assistant Costume Designer:
Lisa R. Frucht
Assistant Director:
James Giovannetti Jr.
Casting:
Kathy Driscoll-Mohler
Francine Maisler
Co-Producer:
Jim Miller
Aubrey Henderson
Construction Coordinator:
Tyler Osman
Costume Coordinator:
Claire Connelly
Costume Design:
Frank L. Fleming
Costume Supervisor:
Eileen McCahill
Director:
Marc Forster
Director of Photography:
Roberto Schaefer
Editor:
Matt Chessé
Executive In Charge Of Production:
Kelli Konop
Executive Producer:
Eric Kopeloff
Nathan Kahane
Joseph Drake
Executive Producer's Assistant:
Jeremy Platt
First Assistant "A" Camera:
Paul Bode
First Assistant Director:
Michael Lerman
First Assistant Editor:
Alex Olivares
First Assistant Sound Editor:
John Cannon
Foley Artist:
Alyson Dee Moore
John Roesch
Foley Mixer:
Mary Jo Lang
Grip:
Kelly R. Borisy
Hair Department Head:
Frances Mathias
Key Hair Stylist:
Deborah K. Dee
Key Makeup Artist:
Laverne Caracuzzi
Location Manager:
Stephen Andrzejewski
Makeup Artist:
Valli O'Reilly
Makeup Department Head:
Lisa Layman
Music Supervisor:
Brian Reitzell
Original Music Composer:
Brian Reitzell
Britt Daniel
Other:
Alyson Latz
Post Production Supervisor:
C. Cory M. McCrum-Abdo
Producer:
Lindsay Doran
Production Assistant:
Rudra Banerji
Production Coordinator:
Kate Amer
Production Design:
Kevin Thompson
Property Master:
Peter Bankins
Rotoscoping Artist:
Craig Kuehne
Screenplay:
Zach Helm
Script Supervisor:
Alicia Accardo
Second Assistant "A" Camera:
Dan Schroer
Second Assistant Director:
Peter Thorell
Set Decoration:
Ford Wheeler
Set Designer:
Kerry Sanders
Sound Designer:
Geoffrey G. Rubay
Sound Editor:
Jon Title
Lisle Engle
Dino DiMuro
Sound Mixer:
David Obermeyer
Sound Re-Recording Mixer:
Michael Semanick
Lora Hirschberg
Scott Millan
Special Effects Coordinator:
Don Parsons
Steadicam Operator:
Jim McConkey
Still Photographer:
Ralph Nelson Jr.
Stunt Coordinator:
Rick LeFevour
Stunts:
Linda Perlin
Carl Paoli
Kevin Sorensen
Tom McComas
Alicia Skirball
James Fierro
Tobiasz Daszkiewicz
Frank P. Calzavara
James Mammoser
Jodi Starnes
Tom Lowell
Daniel Maldonado
Natalie M. Meyer
Supervising Sound Editor:
Geoffrey G. Rubay
Thanks:
Jacques Perrin
Unit Production Manager:
Karyn McCarthy
Eric Kopeloff
Unit Publicist:
Will Casey
Visual Effects Designer:
Kevin Tod Haug
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.