A work in constant progress (and occasional regress).
Release Date:
March 13, 2024
Original Title:
Inkabi
Alternate Titles:
Inkabi the Hitman
Genres:
Action | Drama
Production Companies:
African Entertainers Consultancy
Indigenous Film Distribution
The National Film and Video Foundation of South Africa
Production Countries:
South Africa
Ratings / Certifications:
US: R ZA: 16
Runtime: 101
Frank, a retired hitman, has chosen to disappear and start his life anew as a private taxi driver. He befriends Lucy a young woman working at a shady downtown casino. After losing custody of her child Angela, Lucy is back on a downward spiral of drugs and high-class prostitution. One night she witnesses the murder of one of her clients, a prominent Millionaire in the city. Lucy manages to escape but the killer is out for her blood. She has no one to turn to except Frank her only friend. Frank has only killed for money but now he must kill to protect the only person who never had anybody to stand up for her.
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Assistant Editor:
Masego Modisaotsile
Best Boy Electric:
Tumelo Mohalanyane
Best Boy Grip:
Sandile Buthelezi
Boom Operator:
Matthew Lekgoane
Casting:
Obey Mochipisi
Margie Kiundi
Colorist:
Mthandeni Khambule
Costume Design:
Tebogo Singo
Creative Producer:
Khetiwe Ncgobo
Dialogue Editor:
Vaughn Philips
Director:
Norman Maake
Director of Photography:
Chuanne Blofield
Editor:
Tongai Furusa
Executive Producer:
Norman Maake
Princess Rose Mhlongo
Yolanda Ncokotwana
Refiloe Hlabioa
Ben Amadasu
Gaffer:
Mike Mohalanyane
Key Grip:
Siza Khawula
Line Producer:
Lindiwe Stanley
Makeup & Hair:
Lindiwe Ndlovu
Original Music Composer:
Bongani Seoli Mashaba
Post Production Supervisor:
Nelisa Furusa
Producer:
Princess Rose Mhlongo
Norman Maake
Production Design:
Tebogo Tsokodubane
Sound Assistant:
Esethu Tsoanyane
Sound Designer:
Vaughn Philips
Tongai Furusa
Sound Mixer:
Morena Khoeti Maile
Sound Re-Recording Mixer:
Johan Theron
Wardrobe Assistant:
Mapule Chauke
Writer:
Norman Maake
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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