A work in constant progress (and occasional regress).
Release Date:
April 21, 2024
Original Title:
Надо снимать фильмы о любви
Genres:
Drama
Production Companies:
FT Production
Respect India Entertainment Pvt. Ltd.
Vega Film
Production Countries:
India | Russia
Ratings / Certifications:
N/A
Runtime: 73
A Russian film crew is coming to Varanasi to shoot an arthouse film. The whole atmosphere of the ancient city encourages us to think about the meaning of what is happening, about the essence of cinema, about values that are usually considered obvious and not discussed. Soon, the filming process begins to collapse, and the film begins to shoot itself. This movie is a parable about the crumbling of the world and correction, about love as the only force capable of healing the world.
Assistant Director:
Yuliya Vityazeva
Assistant Production Design:
Manish Kumar
Camera Operator:
Elena Metla
Alexey Rodionov
Casting Director:
Osho Verma
Color Grading:
Alexey Rodionov
Costume Designer:
Nikita Kodatsky
Dialogue Editor:
Nina Gambaryan
Director:
Roman Mikhailov
Director of Photography:
Alexey Rodionov
Elena Metla
Driver:
Raju Giri
Sarvesh Singh
Sarvesh Patel
Editor:
Roman Mikhailov
Alexey Rodionov
Executive Producer:
Yuliya Vityazeva
Executive Producer's Assistant:
Yuriy Zhukov
Lighting Artist:
Evgeny Kozlov
Lighting Production Assistant:
Kirill Kulchitsky
Line Producer:
Gyan Prakash Pandey
Music:
Alexey Vishnya
Original Music Composer:
Pavel Dodonov
Producer:
Katerina Mikhaylova
Alla Pavlova
Production Coordinator:
Aravind Kumar Chaturvedi
Production Designer:
Rohit Vishwakarma
Production Manager:
Osho Verma
Project Manager:
Sunena Pathak
Screenplay:
Roman Mikhailov
Set Runner:
Parvez Shah
Salim Khan
Deepak Pandey
Nitesh Pandey
Shivbali Sonkar
Lev Severukhin
Sound Director:
Danil Beltiukov
Sound Effects Designer:
Egor Starikov
Sound Effects Editor:
Alexandra Sidorenko
Transportation Coordinator:
Anupam Mishra
Pradeep Singh
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.