A work in constant progress (and occasional regress).
Original Title:
Rosen und Reis
Genres:
Comedy
Production Companies:
ARD
NDR
Polyphon
Win Win Film
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 90
In the middle of Maike's sister Inka's wedding preparations, the marital dispute between Sören and Maike is still simmering because she has been cheating. Maike suggests that Sören should have a fling himself so that peace can finally be restored. With whomever! But Sören ends up in bed with Maike's best friend Doris, of all people. Dirk, Doris' husband, is not the only one fuming with rage and wants to give Sören a thrashing. Maike in particular reproaches Sören: the offer was never meant to be like that! And in the midst of all the chaos, Inka decides to throw the stuffy wedding, which groom Nils only wants to go ahead with for the sake of his conservative mother Renate. So: no wedding and three break-ups?
Assistant Makeup Artist:
Karsten Drews
Assistant Property Master:
Viktoria Nagel
Commissioning Editor:
Karsten Willutzki
Stefan Kruppa
Diana Schulte-Kellinghaus
Continuity:
Sophie Elisabeth Schulz
Costume Designer:
Didra Szugs
Costumer:
Luka Schu
Director:
Tine Rogoll
Director of Photography:
Duli Georg Diemannsberger
Driver:
Jean Berger
First Assistant Director:
Kirsten Petersen
Grip:
Andreas Richter
Key Grip:
Carsten Scharrmann
Location Scout:
Philipp Pemöller
Makeup & Hair:
Alexandra Lebedynski
Samira Ghassabeh
Post Production Supervisor:
Vincent Waltan
Producer:
Christoph Bicker
Valentin Holch
Production Driver:
Mudy Sudarbo
Reik Dahms
Dominik Schnier
Production Manager:
Kerstin Kroemer
Production Sound Mixer:
Patrick Dadaczynski
Property Master:
Florian Albertsen
Set Runner:
Anna Meckel
Felix Kühne
Standby Property Master:
Thorsten Butzko
Lucy Schulz
Still Photographer:
Boris Laewen
Stunt Coordinator:
Thomas Bloem
Unit Manager:
Zsuzsanna-Charlie Gurath
Robert Müller
Writer:
Robert Löhr
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.