A work in constant progress (and occasional regress).
Release Date:
December 25, 2006
Original Title:
Notes on a Scandal
Alternate Titles:
Aru sukyandaru no oboegaki
Beleške o skandalu
Bilješke o jednom skandalu
Chronique d'un scandale
Diario de un escándalo
Diario di uno scandalo
Diário de um Escândalo
Egy botrány részletei
Escándalo
Imerologio enos skandalou
Notas Sobre um Escândalo
Notatki o skandalu
Paljastavat merkinnät
Remez le'scandal
Skandal
Zápisky o škandále
Ühe skandaali märkmed
Ημερολόγιο Ενός Σκανδάλου
Скандальный дневник
Genres:
Drama | Romance
Production Companies:
BBC Film
DNA Films
Fox Searchlight Pictures
Ingenious Media
Scott Rudin Productions
UK Film Council
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 12 ES: 12 FR: TP GB: 15 GR: 16 HU: 12 IE: 18 JP: R18+ PL: 16 PT: M/16 RO: 18 RU: 16+ US: R
Runtime: 92
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
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"B" Camera Operator:
Paul Bond
ADR Editor:
Nigel Stone
ADR Recording Engineer:
Andy Thompson
ADR Voice Casting:
Howard Halsall
Accounting Trainee:
Jay Weeks
Nwachukwu Aghanya
Marie Sayej
Actor's Assistant:
Jemma Kearney
Art Department Assistant:
Cian O'Clery
Catherine Byrne
Assistant Accountant:
Polly Fletcher
Dan Hillsdon
Helen Walker
Assistant Art Director:
Jane Harwood
Assistant Editor:
Martin Corbett
Assistant Location Manager:
Richard Hill
Lee Robertson
Assistant Music Supervisor:
Derek Somaru
Assistant Production Coordinator:
Holly Pullinger
Assistant Set Decoration:
Lucy Eyre
Assistant Sound Editor:
Lionel Johnson
Diana Smith
Best Boy Electric:
Paul Sharp
Boom Operator:
Kate Morath
Camera Trainee:
Therese Hvattum
Carpenter:
Jonathan Wells
Paul Bowring
David Martin
Casting:
Maggie Lunn
Shaheen Baig
Clapper Loader:
Sam Barnes
Urszula Pontikos
Conductor:
Nico Muhly
Michael Riesman
Construction Manager:
Robin Thistlethwaite
Costume Assistant:
Vandra Howard
David Otzen
Jane Leonard
Emma Heath
Costume Design:
Tim Hatley
Costume Supervisor:
Allison Wyldeck
Dialogue Editor:
Tim Owens
Director:
Richard Eyre
Director of Photography:
Chris Menges
Dressing Prop:
Neil Murrum
Peter Watson
Ben Wilkinson
Editor:
John Bloom
Antonia Van Drimmelen
Electrician:
Dennis Watson
Eamonn Fitzgerald
Mark Thomas
Jimmy Harris
Steve Blythe
Peter Harris
Emily Plant
Executive Producer:
Redmond Morris
First Assistant "B" Camera:
Ashley Bond
First Assistant Director:
Martin Harrison
Floor Runner:
Emily Graham
Focus Puller:
Ben Wilson
Foley Artist:
Peter Burgis
Andie Derrick
Foley Editor:
Derek Trigg
Foley Recording Engineer:
Edward Colyer
Nigel Heath
Gaffer:
Lee Walters
Graphic Designer:
Kem White
Grip:
Gary Hymns
Simon Fogg
Hair Department Head:
Lisa Westcott
Hairstylist:
Eamonn Hughes
Helen Johnson
Jayne Buxton
Lead Costumer:
Kirsty Wilkinson
Location Manager:
Amanda Stevens
Location Scout:
Thomas Elgood
Iggy Ellis
Russell Lodge
Makeup & Hair Assistant:
Nadia Stacey
Makeup Artist:
Jayne Buxton
Helen Johnson
Rebecca Lafford
Makeup Department Head:
Lisa Westcott
Music Coordinator:
Christian Rutledge
Music Editor:
Graham Sutton
Missy Cohen
Novel:
Zoë Heller
Orchestrator:
John Bradbury
Isobel Griffiths
Original Music Composer:
Philip Glass
Other:
Hattie Dalton
Neil Dickson
Pete Hodge
Tony Kernan
Trevor Gureckis
Vic Fraser
Nico Muhly
Painter:
Amanda Waddington
John Davies
Matt Parsons
Post Production Accountant:
Tarn Harper
Post Production Supervisor:
Polly Duval
Producer:
Scott Rudin
Robert Fox
Producer's Assistant:
Sarah Richardson
James P. Queen
Danny Roman
Nathan Kelly
Michael Diliberti
Dan Erstad
Mira Shin
Production Accountant:
Shruti Shah
Production Coordinator:
Francesca Castellano
Production Design:
Tim Hatley
Production Runner:
Barney Miller
Production Secretary:
Vanraaj Padhaal
Production Sound Mixer:
Jim Greenhorn
Property Master:
Maxie McDonald
Props:
Les Benson
Rigging Gaffer:
Gavin Walters
Score Engineer:
Jake Jackson
Chris Dibble
Sam Jones
Scoring Mixer:
Ichiho Nishiki
Dan Bora
Michael Riesman
Screenplay:
Patrick Marber
Script Supervisor:
Diana Dill
Keziah Barton-White
Second Assistant "B" Camera:
Mark Milsome
Second Assistant Director:
Chris Stoaling
Second Second Assistant Director:
Charlie Waller
Set Decoration:
Caroline Smith
Set Decoration Buyer:
Harriet Orman
Sound Assistant:
Jason Bennett
Eric Strausser
Sound Editor:
Stuart Stanley
Sound Effects Editor:
Joseph Stracey
Sound Mix Technician:
Dave Wren
Sound Re-Recording Assistant:
Doug Cooper
Sound Re-Recording Mixer:
Lee Dichter
Martin Czembor
Mike Prestwood Smith
Sound Supervisor:
James Mather
Special Effects:
Mark Haddenham
Special Effects Coordinator:
Stuart Brisdon
Stand In:
Philip Ball
Collette Appleby
Penny Ryder
Standby Art Director:
Grant Armstrong
Standby Carpenter:
Josh Jones
Standby Painter:
Simon Hutchings
Standby Property Master:
Stephen McDonald
Stephen Conway
Standby Rigger:
Greg Press
Still Photographer:
Olivia Coote
Stunt Coordinator:
Nrinder Dhudwar
Stunts:
Tina Maskell
Rob Hunt
Peter Pedrero
John Street
Supervising Art Director:
Mark Raggett
Supervising Carpenter:
Ian Bee
Supervising Music Editor:
Joseph S. DeBeasi
Supervising Sound Editor:
Jason Ribikoff
Third Assistant Director:
Heidi Gower
Transportation Coordinator:
Gary Birmingham
Unit Medic:
Sara Dony
Unit Production Manager:
Rachel Neale
Unit Publicist:
Linda Gamble
Video Report:
Alex Hobbs
Vocal Coach:
Joan Washington
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.