Slay (2024) [N/A]

Release Date:
March 22, 2024

Original Title:
Slay

Genres:
Comedy | Horror

Production Companies:
Blue Ice Pictures
Pressure Cooker Studios
Tubi

Production Countries:
Canada | South Africa | United States of America

Ratings / Certifications:
CA: 18A 

Runtime: 99

After a booking mistake, four drag queens find themselves performing for a mostly unwelcoming crowd, but when vampires attack, the crowd looks to the queens to save the day.

Additional information:

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Additional Music:
Jordan Sterling
Jordan Sterling

Assistant Director Trainee:
Nell Bezuidenhout

Assistant Editor:
Jess Phillips

Assistant Grip:
Lyal Fillies
Sakhele Tomose

Associate Producer:
Haley Wiseman

Best Boy Grip:
Vinnie Vanacore

Best Boy Lighting Technician:
Jed Harris

Boom Operator:
Bruce K. Malala

Camera Loader:
Tumi Chere
Skyela Evans

Camera Operator:
Chris Vermaak
Trevor Calverley

Camera Trainee:
Laska Harford

Carpenter:
Lisa-Marie Louw
Jeffrey Burt
Eugene Richards

Casting:
Bonnie Lee Bouman

Casting Assistant:
Wojtek Lipinski

Catering:
Miles Graham

Colorist:
Mikhailin KK Reddy

Construction Manager:
Dirk Knoesen

Costume Assistant:
Kahrl Oelmann

Costume Design:
Kerry-Anne Barnard

Costume Standby:
Thabisa Mkonto
Perpetua Muchuchu
Naeema Safiedien

Costume Supervisor:
Mia Hofmann

Dialogue Coach:
Stephen Jennings

Dialogue Editor:
Alec Mackay

Digital Imaging Technician:
Cristo Duvenage

Digital Intermediate Producer:
Tahnee Davies

Director:
Jem Garrard

Director of Photography:
Trevor Calverley

Editor:
David Trevail

Electrician:
Steve Gomani
Shane Du Plooy
Ahmadi Koko
Sisonkwe Msweli

Executive Producer:
Samantha Levine
Armand Leo
Daniel Iron
Lance Samuels

Extras Casting Coordinator:
J.P. van der Merwe

First Assistant Director:
Cathy Poole

Focus Puller:
James F. Blyth
Simone Howlett

Foley Recordist:
Alec Mackay
Denys Marcel

Gaffer:
Lesley Manuel

Hair Designer:
Marli Kruger

Hair Supervisor:
Stuart Senekal
Natassha Struwig

Key Grip:
Stephen Knipe

Lead Set Dresser:
Pleasure Gabe Ginyui

Legal Services:
Ryan Plachcinski

Line Producer:
Darren Cameron

Location Manager:
Elliott Borkum

Makeup Designer:
Marli Kruger

Makeup Supervisor:
Natassha Struwig
Jessica Veasey

Music:
Andries Smit

Music Supervisor:
James Matthes

Online Editor:
Brendon Miles

Post Production Coordinator:
Walter Senekal

Post Production Supervisor:
Marc Bloch

Producer:
Adam Friedlander
Tebogo Maila

Production Assistant:
Mike Garvas
Mickey Strumwig

Production Coordinator:
Fred Viviers

Production Design:
Bobby Cardoso

Production Manager:
CoCo Boggon

Property Buyer:
Bert Heynike

Property Master:
Jos Joubert

Prosthetic Designer:
Natasha du Toit

Script Supervisor:
Liezl Geldenhuys

Seamstress:
Sandy Jacobs

Second Assistant Director:
Katie Roper

Set Decoration:
Renee Filipova

Set Dresser:
Chicco Cardoso

Set Dressing Buyer:
Kristan Giliomee

Set Production Assistant:
Sobs Feni

Sound Designer:
Denys Marcel
Keith Kavayi

Sound Mixer:
Derek Mansvelt

Sound Re-Recording Mixer:
Kyle Koekemoer

Sound Supervisor:
Kyle Koekemoer
James Matthes

Special Effects Supervisor:
Andrew Robertson

Special Effects Technician:
Cole Fisher
Brian Chibaya
Luan 'Lee' Groenewald

Standby Property Master:
Raphael Clack

Steadicam Operator:
Chris Vermaak

Still Photographer:
Marcos Cruz

Stunt Coordinator:
Anneli Muller
Kerry Gregg

Stunt Double:
Junior Kalombo
Katja Hopkins
Justin Brown

Stunt Driver:
Ebrahim Levy
Christopher September

Swing:
Emmanuel Tangi
Clifford Eyong

Third Assistant Director:
Luke Tothill

Utility Sound:
Ashleigh Schlosz

Visual Effects:
Andrew Meyer
Megan Bagshaw
Jason Mackay
Tyrone Mackay
Claudio Pavan
Mohamed Umer Sungay

Visual Effects Producer:
Tahnee Davies
Daniel Duval
Paul Kalil
Wicus Labuschagne
Walter Senekal

Visual Effects Production Manager:
Megan Portnoi

Visual Effects Supervisor:
Wicus Labuschagne
Marc Bloch

Writer:
Jem Garrard

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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