A work in constant progress (and occasional regress).
Original Title:
Trauerspuren
Genres:
Drama | Family
Production Companies:
Apeiron Films
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 10
Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?
Animal Wrangler:
Tari Holz
Archival Footage Research:
Anja Giermann
Art Designer:
Peter Wuttke
Assistant Camera:
Fritz Tsai
Assistant Director:
Darina Alieksieieva
Boom Operator:
Jack Grewe
Martin Lehmann
Camera Operator:
Odysseas Johannes Hlepas
Cinematography:
Odysseas Johannes Hlepas
Colorist:
Maciej Sowilski
Continuity:
Paulina Scheunemann
Costume Designer:
Guido Neukamm
Costumer:
Paulina Scheunemann
Director:
Dave Lojek
Director of Photography:
Odysseas Johannes Hlepas
Editor:
Dave Lojek
Focus Puller:
Fritz Tsai
Gaffer:
Golo Prange
Fritz Tsai
Graphic Designer:
Guido Neukamm
Lighting Supervisor:
Odysseas Johannes Hlepas
Location Coordinator:
Peter Wuttke
Location Manager:
Christina Wuttke
Location Scout:
Johnny Adams
Makeup Artist:
Paulina Scheunemann
Guido Neukamm
Producer:
Dave Lojek
Production Assistant:
Darina Alieksieieva
Prop Designer:
Dave Lojek
Prop Maker:
Peter Wuttke
Props:
Theresa Lojek
Marion Lojek
Publicist:
Dave Lojek
Screenplay:
John Alexander Fraser
Second Assistant "A" Camera:
Golo Prange
Set Photographer:
Vladyslav Raikhberh
Sound Designer:
Jack Grewe
Sound Mixer:
Jack Grewe
Technical Advisor:
Patrick Düren
Writer:
John Alexander Fraser
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.