A work in constant progress (and occasional regress).
Original Title:
Tania
Genres:
Drama | History
Production Companies:
Enigma Film
Studio Babelsberg
Sur-Film
Production Countries:
Germany | Spain
Ratings / Certifications:
N/A
Runtime: 100
GDR 1961: Tamara Bunke, daughter of Jewish exiles from Argentina, not only falls for the political goals of the rousing revolutionary Che Guevara during a state visit. She also meets Ulises Estrada, the commandant of Che's team. Ignited by the fire of the revolution, she gets involved in a diabolical espionage deal with the Stasi in order to cheat her way out of Cuba. In Cuba, she ends up caught between all fronts: under the watchful eye of the Stasi, which expects results from her, but in reality solely dedicated to Che's revolution, Tamara allows herself to be trained as a double spy by Che's troops. At the same time, her honest love grows for Commandante Ulises, who eventually gives her the choice of following her personal happiness and going into hiding rather than following Che's plans to liberate South America, which by now he considers a suicide mission. An unresolvable, deeply tragic conflict that ends fatally for Tamara in the battle of Bolivia's Rio Grande..
Casting Assistant:
Louisa Olivia Brockmann
Casting Director:
Stefany Pohlmann
Co-Producer:
Andreas Wentz
Commissioning Editor:
Caren Toenissen
Director:
Elmar Fischer
Director of Photography:
Bjørn Haneld
Editor:
Eva López Echegoyen
Producer:
Fritjof Hohagen
Nicole Swidler
Production Manager:
Thomas Rohde
Set Designer:
Klaus-Dieter Gruber
Writer:
Elmar Fischer
Tobias Stille
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.