A work in constant progress (and occasional regress).
Release Date:
July 15, 2019
Original Title:
The Crying Fields
Genres:
Documentary
Production Companies:
TELUS STORYHIVE
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 19
A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.
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Aerial Camera:
Vincent Eger
Camera Operator:
Matthias MacLeod
Vincent Eger
Camera Production Assistant:
Courtenay Louie
Cinematography:
Matthias MacLeod
Co-Producer:
Courtenay Louie
Director:
Hayley Morin
Director of Photography:
Vincent Eger
Editor:
Vincent Eger
Matthias MacLeod
Location Sound Mixer:
Courtenay Louie
Producer:
Hayley Morin
Sound Mixer:
Tyler Devon Gillis
Writer:
Hayley Morin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.