A work in constant progress (and occasional regress).
Release Date:
September 8, 2023
Original Title:
Losing Blue
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 15
What does it mean to lose a colour? Losing Blue is a cinematic poem about losing the otherworldly blues of ancient mountain lakes, now fading due to climate change. With stunning cinematography, this short doc immerses the viewer in the magnificence of these rare lakes, pulling us in to stand on their rocky shores, witness their power and understand what their loss would mean—both for ourselves and for the Earth.
Additional Camera:
Leanne Allison
Administration:
Bree Beach
Devon Supeene
Audio Post Coordinator:
Dan McManus
Camera Operator:
Zac Mills
Cinematography:
Leanne Allison
Color Assistant:
Bryan Duddridge
Colorist:
Darren Bierman
Director:
Leanne Allison
Director of Photography:
Patrick McLaughlin
Drone Operator:
Alex Taylor
Alex Taylor
Editor:
Oana Suteu Khintirian
Oana Suteu Khintirian
Executive Producer:
David Christensen
Legal Services:
Peter Kallianiotis
Manager of Operations:
Devon Supeene
Darin Clausen
Musician:
Denys Dufresne
Morag Northey
Stephanie King
Online Editor:
Darren Bierman
Original Music Composer:
Alec Harrison
Production Assistant:
Caroline Hedin
Production Coordinator:
Janet Kwan
Jessica Smith
Everett Sokol
Production Supervisor:
April Dunsmore
Esther Viragh
Publicist:
Katja De Bock
Sound Designer:
John Iaquinta
Alec Harrison
Sound Mixer:
John Iaquinta
Alec Harrison
Sound Recordist:
Dmitri Bandet
James Allinson
Technical Supervisor:
Lyne Lapointe
VFX Production Coordinator:
Susan de St. Jorre
VFX Supervisor:
Ken Bitz
Writer:
J.B. MacKinnon
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.