A work in constant progress (and occasional regress).
Release Date:
February 25, 2024
Original Title:
Pioniere der Filmmusik - Europas Sound für Hollywood
Alternate Titles:
Les Pionniers de la musique de film. Le son de l’Europe pour Hollywood
Les pionniers de la musique de film : Le son de l'Europe pour Hollywood
Genres:
Documentary | Music | TV Movie
Production Companies:
ARTE
Achilleion Filmproduktion
NDR
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 53
Hollywood film music has its roots in Europe. Three composers who fled war and National Socialism to the USA created the sound that still shapes film music today: Erich Wolfgang Korngold, Max Steiner and Franz Waxman. In the early 20th century, these classically trained composers transformed the methods acquired in Vienna and Berlin into a new American art form: film music. They balanced the relationship between image and sound and developed techniques and dramaturgical tricks to achieve the greatest possible effect on the viewer. Their influence is visible in the work of contemporary US composers such as John Williams and Jerry Goldsmith. Today, Oscar winner Hans Zimmer, Ramin Djawadi and Harold Faltermeyer continue this tradition. Their melodies are part of humanity's collective memory and reflect the combined traditions of European and American musical history. The documentary accompanies composers in their work and explores the European roots of Hollywood.
Additional Director of Photography:
Christoph Schöler
Animation:
Jacqui Mundri
Assistant Director:
Safiya Rafehi
Camera Operator:
William Sarris
Colorist:
Lukas Biemann
Commissioning Editor:
Claudia Cellarius
Gita Datta
Director:
Florian Caspar Richter
Director of Photography:
Peter Heinrichs
Editor:
Susann Martin
Executive Producer:
Lars von Lennep
Gaffer:
Yannick Frotz
Legal Services:
Wolfgang Brehm
Makeup Artist:
Madeline Young
Producer:
Florian Caspar Richter
Production Manager:
Melanie Clausen
Researcher:
Heidelinde Markwart
Sound:
Jan Scharfenberg
Sound Re-Recording Mixer:
Christian Hein
Writer:
Florian Caspar Richter
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.