A work in constant progress (and occasional regress).
Original Title:
O Sal da Vida
Genres:
Documentary
Production Companies:
Coqueirão Pictures
Globo Filmes
Janela do Mundo
Production Countries:
Brazil
Ratings / Certifications:
N/A
Jorge Amado was an aggregator and throughout his life formed a large collection of friends from all over the world, from the most diverse backgrounds and occupations. Many of these friends were important names in 20th century culture and thought. His house was always open to them, in a permanent celebration of the joy of living and the union between people. Among these friends, three had special importance: Caymmi, Verger, and Carybé. It is the history of this friendship, which went beyond real life and penetrated art and the battle for the valorization of popular culture, that our project dives into. A friendship that became the salt of Brazilian life.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.