A work in constant progress (and occasional regress).
Release Date:
December 15, 2006
Original Title:
Breaking and Entering
Alternate Titles:
Breaking and Entering
Complicità e Sospetti
Invasão de Domicílio
Par effraction
Genres:
Drama | Romance
Production Companies:
Mirage Enterprises
Miramax
The Weinstein Company
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 16 CZ: 15 DE: 12 ES: 16 GB: 15 IE: 16 NL: 12 PL: 16 RO: 18 US: R
Runtime: 129
Set in a blighted, inner-city neighbourhood of London, Breaking and Entering examines an affair which unfolds between a successful British landscape architect and Amira, a Bosnian woman – the mother of a troubled teen son – who was widowed by the war in Bosnia and Herzegovina.
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"B" Camera Operator:
Simon Finney
ADR Mixer:
Peter Gleaves
Art Direction:
Andy Nicholson
Associate Producer:
Steve E. Andrews
D-Teflon
Casting:
Michelle Guish
Gaby Kester
Costume Design:
Natalie Ward
Director:
Anthony Minghella
Director of Photography:
Benoît Delhomme
Editor:
Lisa Gunning
Executive Producer:
Harvey Weinstein
Bob Weinstein
Colin Vaines
Focus Puller:
Mark Milsome
Foley Artist:
Ian Waggott
Paul Hanks
Hairstylist:
Julie Dartnell
Line Producer:
Anita Overland
Makeup Artist:
Julie Dartnell
Ivana Primorac
Julie Thom
Original Music Composer:
Underworld
Gabriel Yared
Producer:
Tim Bricknell
Anthony Minghella
Sydney Pollack
Production Design:
Alex McDowell
Production Executive:
David Greenbaum
Screenplay:
Anthony Minghella
Set Decoration:
Anna Pinnock
Sound Re-Recording Mixer:
Mike Prestwood Smith
Special Effects Coordinator:
Sam Conway
Stunts:
Michael Byrch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.