A work in constant progress (and occasional regress).
Release Date:
September 27, 2023
Original Title:
De l'eau sous les ponts
Genres:
Comedy
Production Companies:
ARTE
Filmakademie Baden-Württemberg
La Fémis
SWR
Production Countries:
France | Germany
Ratings / Certifications:
FR: TP
Runtime: 9
Summertime, on a deserted river. 75-year-old Yvette is determined to obtain her pedal boat license, a way to make up for the life she never fully lived. Brian is approaching his thirties and has worked at Pedal'eau for the past ten years. Trapped in this menial job and suffering back aches, he dares not dream of another life. These two individuals, seemingly living in isolation, unknowingly venture down a stream of personal freedom. Between them, it's a matter of give and take.
Casting Director:
Marie Garnier
Color Grading:
Laurent Ganiage
Continuity:
Baptiste Bonin
Costume Coordinator:
Philippine Lefevre
Director:
Naomi Grand
Director of Photography:
Margot Mancel-Neto
Editor:
Raphaël Goldszal
First Assistant "A" Camera:
Garance Thibault
First Assistant Director:
Juliette Marsan
Foley:
Paul Vincent
Gaffer:
Guilhem Vermeulen
Line Producer:
Cécile Point
Giulia Colombini
Location Assistant:
Christophe Garros
Location Manager:
Jacques Bizot
Machinist:
Lisa Marais Deloison
Sébastien Eraso-Rojas
Makeup & Hair:
Alizée Drouillard
Producer:
Cécile Point
Giulia Colombini
Set Designer:
Zoé Spahis
Sound Assistant:
Renaud Perret
Sound Designer:
Louise Lagabbe
Sound Editor:
Fabien Beillevaire
Sound Mixer:
Yannis do Couto
Writer:
Yann Baron
Estelle Favant
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.