A work in constant progress (and occasional regress).
Release Date:
July 17, 2024
Original Title:
Eat the Night
Genres:
Crime | Drama | Thriller
Production Companies:
ARTE France Cinéma
Agat Films & Cie / Ex Nihilo
Atelier de Production
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 106
Young drug dealer Pablo and his sister Appoline bond over an online game called Darknoon. Pablo falls for Night, neglecting his sister. While Appoline finishes the game, Pablo and Night become embroiled in a dangerous gang conflict.
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Assistant Editor:
Martin Delamare
Assistant Location Manager:
Edouard Sueur
Assistant Production Manager:
Léa Chantereau
Assistant Unit Manager:
Pierre-Henry Billau
Romain Neveu
Pierre-Antoine Louis
Simon Deschamps
Boom Operator:
Clara Malus
Co-Producer:
Olivier Père
Colorist:
Arthur Paux
Dialogue Editor:
Lucas Doméjean
Director:
Caroline Poggi
Jonathan Vinel
Director of Photography:
Raphaël Vandenbussche
First Assistant Camera:
Camille Autrive
First Assistant Director:
Caroline Ronzon
Foley Artist:
Gilles Marsalet
Gaffer:
Paul Texier
Grip:
Camille Conroy
Key Grip:
Laura Marret
Location Scout:
Alexandre Billon
Music Supervisor:
Martin Caraux
Guillaume Chassé
Producer:
Thomas Verhaeghe
Mathieu Verhaeghe
Juliette Schrameck
Production Accountant:
Marine Lonchambon
Production Manager:
Diego Urgoiti-Moinot
Screenplay:
Caroline Poggi
Jonathan Vinel
Second Assistant Camera:
Arthur Grivel
Sound Designer:
Olivier Voisin
Sound Mixer:
Lucas Doméjean
Sound Re-Recording Mixer:
Victor Praud
Special Effects Makeup Artist:
Alexis Kinebanyan
Stunt Double:
Robin Lallart
Stunts:
Titouan Richard
Anthony Heilmann
Teddy Ponceau
Unit Manager:
Julien Minet
Visual Effects:
Sara Dibiza
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.