A work in constant progress (and occasional regress).
Release Date:
March 1, 1963
Original Title:
天国と地獄
Alternate Titles:
Anatomia di un rapimento
Cielo e infierno
Céu e o Inferno
El cielo y el infierno
El infierno del odio
Entre le ciel et l'enfer
Heaven and Hell
High and Low
Himmel och helvete
Himmel og helvede
Himmel og helvete
Između neba i zemlje
Menny és pokol
Nebo a peklo
Niebo i piekło
O dolofonos tou Tokyo
Taivas ja helvetti
Tengoku to jigoku
The Ransom
Рай и ад
Դրախտ և Դժոխք
الجنة والجحيم
天國與地獄
天堂与地狱
천국과 지옥
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
Kurosawa Production
TOHO
Production Countries:
Japan
Ratings / Certifications:
AR: 13 AU: M FI: K-16 GB: 12 NL: 12 SE: 15 US: NR
Runtime: 142
In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his chauffeur's son is kidnapped by mistake.
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Assistant Camera:
Masaharu Ueda
Assistant Director:
Kenjirô Ohmori
Yōichi Matsue
Shirō Moritani
Masanobu Deme
Associate Producer:
Akira Kurosawa
Camera Intern:
Yudai Kato
Costume Design:
Miyuki Suzuki
Director:
Akira Kurosawa
Director of Photography:
Asakazu Nakai
Takao Saitō
Editor:
Akira Kurosawa
Editorial Production Assistant:
Reiko Kaneko
First Assistant Camera:
Kazutami Hara
Lighting Technician:
Hiromitsu Mori
Ichirō Inohara
Novel:
Evan Hunter
Original Music Composer:
Masaru Satō
Producer:
Ryūzō Kikushima
Tomoyuki Tanaka
Production Design:
Yoshirō Muraki
Production Supervisor:
Hiroshi Nezu
Property Master:
Akio Nojima
Screenplay:
Akira Kurosawa
Ryūzō Kikushima
Hideo Oguni
Eijirō Hisaita
Script Supervisor:
Teruyo Nogami
Sound Designer:
Fumio Yanoguchi
Sound Effects Editor:
Ichirô Minawa
Sound Mixer:
Hisashi Shimonaga
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.