A work in constant progress (and occasional regress).
Release Date:
November 15, 2019
Original Title:
Justo
Genres:
Comedy | Drama
Production Companies:
Avellaneda Filma
Cine Argentino
INCAA
Production Countries:
Argentina
Ratings / Certifications:
AR: ATP
Runtime: 13
A young woman proposes to the passengers of a full bus a change in seats. On the trip they will discover that, regardless of the result, it is always good to review the established order.
Accountant:
Yolanda Oronel
Administration:
Andrea Cabral
Art Direction:
Florencia Cabeza
Assistant Art Director:
Lucía Reissig
Assistant Costume Designer:
Damiana Negrin
Assistant Director:
Federico Brocchieri
Camera Supervisor:
Sebastián Gallo
Catering:
Dotta Sabores
Colorist:
Ignacio Di Martino
Continuity:
Diego Aparicio
Director:
Paula Romero Levit
Director of Photography:
Sebastián Gallo
Dresser:
Marcela Vilariño
Drone Pilot:
Leandro Blanco
Pablo Cirielli
Editor:
Federico Maicas
Nahuel Garcia Oronel
Electrician:
Ivan Dario Silveira Aguilarte
Matías David Mayolo
Executive Producer:
Mariana Ojunian
Executive Producer's Assistant:
María Belén de la Torre
First Assistant Camera:
María Brigante
Gaffer:
Luis Arancibia
General Manager:
Gonzalo Rodríguez Bubis
Hairdresser:
Lucas Perrone
Idea:
Carolina Pierri
Key Grip:
Darío Gugliotta
Makeup & Hair Assistant:
Mariana Roselli
Makeup Artist:
Mariela García
Music:
Mintcho Garrammone
Online Editor:
Ramiro González
Post Production Coordinator:
Ninon Cottet
Producer:
Mariana Ojunian
Production Assistant:
Macarena Suárez
Alejo Ruiz
Production Manager:
Agustín Maicas
Second Assistant Camera:
Mateo Fusilier
Eduardo Santile
Sound Director:
Gino Gelsi
Julián Caparrós
Sound Post Production Coordinator:
Gino Gelsi
Julián Ignacio Caparros
Writer:
Carolina Pierri
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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