A work in constant progress (and occasional regress).
Release Date:
October 17, 2024
Original Title:
Woodwalkers
Genres:
Family | Fantasy
Production Companies:
Blue Eyes Fiction
Constantin Film
Dor Film
FilmVergnuegen
StudioCanal
WS Filmproduktion
Production Countries:
Austria | Germany | Italy
Ratings / Certifications:
DE: 6 NL: 6
Runtime: 103
Humans who can shapeshift into animals struggle to integrate with others without giving away their special abilities. As a group, they strive to inform and institute change in the world perspective of deforestation and the importance of natural habitats. However, when that can’t happen, they are forced to take matters into their own hands.
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Additional Grip:
Isabel Cornel
Additional Lighting Technician:
Finn Gosch
Dietrich Schönherr
Jonas Hörning
Cikomo Paul
Falk Oettel
Finnian Gosch
Frank May
Leander Promberger
Leon Schasse de Araujo
Additional Script Supervisor:
Luise Nitzsche
Animal Coordinator:
Sascha Bauermeister
Art Department Coordinator:
Carola Raum
Art Direction:
Zita Pichler
Assistant Art Director:
Sophie Lübben
Assistant Costume Designer:
Tongi Liu
Ildiko Okolicsanyi
Assistant Production Manager:
Simon Bogocz
Assistant Set Decoration:
Andreas Seyfarth
Assistant Unit Manager:
Max Waldmann
Philipp Kaindl
Hannah Narcin
Best Boy Electric:
Sascha Görlich
Best Boy Grip:
Christopher Huck
Samuel Schenke
Book:
Katja Brandis
Boom Operator:
Manuel Krall
Casting Assistant:
Lea Agmon
Casting Director:
Jacqueline Rietz
Emrah Ertem
Child Wrangler:
Emilia Scherzer
Construction Foreman:
Felix Schön
Henne Hensold
Costume Designer:
Katharina Forcher
Costumer:
Claudia Frank Machado
Rita Kröss
Magdalena Vögele
Crowd Assistant Director:
Caroline Howard
Digital Imaging Technician:
Tyzian Masik
Director:
Damián John Harper
Director of Photography:
Peter Krause
Dresser:
Barbara Palomino Ruiz
Driver:
Christoph Passek
Malte Neumann
Michèl Kaffka
Drone Pilot:
Jonas Hoffmann
Editor:
Stefan Essl
First Assistant "A" Camera:
Leonard Defner
First Assistant "B" Camera:
Ruben Thöndel
First Assistant Camera:
Thomas Schönbrunn
First Assistant Director:
Marc Kluge
Gaffer:
Jonathan Rinn
Martin Handrow
Graphic Designer:
Michael Nolan
Barbara Dezasse
Grip:
Marcel Beckmann
Sven T. Haklik
Head of Production:
Carolin Dassel
Key Grip:
Joscha Jenneßen
Karsten Kube
Lighting Technician:
Kim Ladas
Timo Musar
Christian Kuschmitz
Alexander Martin
Line Producer:
Anja-Karina Richter
Location Manager:
Nikolaus Gross
Location Scout:
Ute Platzer
Makeup & Hair:
Kuno Schlegelmilch
Birgit Neumaier
Kordula Ullmann
Music:
Anne Kathrin Dern
Painter:
Alessio Nalesini
Producer:
Corinna Mehner
Production Accountant:
Patrizia Mincione Scharrnbeck
Francesco Mincione Scharrnbeck
Production Assistant:
Fabian Wallstein
Production Coordinator:
Katharina Beckel
Melanie Maria Mosler
Production Design:
Maximilian Lange
Production Sound Mixer:
Hjalti Bager-Jonathansson
Property Master:
Dagmar Wiggenhauser
Script Supervisor:
Dirka Pfab
Mandy Szokol
Janine Pajsert
Second Assistant "A" Camera:
Maxim Mokil
Second Assistant "B" Camera:
Lisa Wunderlich
Second Unit Director of Photography:
Max Zaher
Raphael Domanski
Set Decoration:
Uli Tegetmeier
Set Dresser:
Simon Empt
Max Schindler
Barbara Hartwich
Set Runner:
Jan Weber-Rydlo
Special Effects Technician:
Raphael Domanski
Standby Property Master:
Jo Wild
Mathias Langwich
Steadicam Operator:
Martin Lippert
Still Photographer:
Marc Reimann
Marco Nagel
Translator:
Abraham Rodriguez
Unit Manager:
Paul Baumann
Philipp Dittrich
Wardrobe Assistant:
Laura Konrad-Heibei
Writer:
David Sandreuter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.