A work in constant progress (and occasional regress).
Release Date:
February 3, 2024
Original Title:
同心向未来·中国网络视听年度盛典
Alternate Titles:
同心向未来·2024中国网络视听年度盛典
Genres:
Documentary | Music
Ratings / Certifications:
N/A
Runtime: 310
With the theme of "One Heart to the Future", the grand ceremony reviewed the online audio-visual masterpieces of the past year in a condensed audio-visual language. In the five chapters of "Same Dream · Live up to Shaohua", "Same Hope · Long Source", "Tong Creation · Building Dream Future", "Tongxing · Oriental Spring Tide" and "Tongxin · Hexing World", Mango TV selected six atmospheres of "Mountain and River Map", "Super Time and Space Reunion", "Happy Friends", "Blue and White Porcelain", "Soundless" and "Run to Tomorrow" The magnificent program showing the youthful style will also officially meet the audience. In multiple forms such as national style singing and dancing, musicals, sitcoms, operas, intangible cultural heritage clothing shows, etc., this grand ceremony will show the spirit of the young people and the great prospects for the vigorous development of the online audio-visual industry.
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.