A work in constant progress (and occasional regress).
Release Date:
June 17, 1985
Original Title:
Bez końca
Alternate Titles:
Bez Konca
Det nakne ansiktet
No End
Sans fin
Sin fin
不绝之路
永无止境
끝없는
Genres:
Drama
Production Companies:
Studio Filmowe Tor
Production Countries:
Poland
Ratings / Certifications:
ES: 12 NL: 12
Runtime: 108
1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
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Art Direction:
Elżbieta Łupińska-Stępniak
Grazyna Tkaczyk
Joanna Lelanow
Assistant Camera:
Janusz Całka
Piotr Obłoza
Assistant Director:
Elżbieta Oyrzanowska
Maciej Dejczer
Anna Stempi
Assistant Editor:
Beata Cichocka
Assistant Makeup Artist:
Dorota Czerwińska
Assistant Set Decoration:
Stefan Witkowski
Antoni Tryanowski
Camera Operator:
Roman Miastowski
Conductor:
Zdzisław Szostak
Costume Assistant:
Małgorzata Bursztyńska
Henryk Ciok
Jolanta Wlodarczyk
Costume Design:
Wiesława Starska
Director:
Krzysztof Kieślowski
Director of Photography:
Jacek Petrycki
Editor:
Krystyna Rutkowska
Makeup Artist:
Maria Dziewulska
Original Music Composer:
Zbigniew Preisner
Production Assistant:
Paweł Mantorski
Włodzimierz Bendych
Jerzy Janicki
Andrzej Cebula
Anna Kowalska
Bożena Mrówczyńska
Production Design:
Allan Starski
Production Supervisor:
Ryszard Chutkowski
Screenplay:
Krzysztof Kieślowski
Krzysztof Piesiewicz
Script Supervisor:
Małgorzata Kierska
Set Decoration:
Magdalena Dipont
Teresa Gruber
Sound Assistant:
Elżbieta Zakrzewska
Kazimierz Kucharski
Stanisław Hojden
Sound Director:
Michał Żarnecki
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.