A work in constant progress (and occasional regress).
Release Date:
July 29, 2010
Original Title:
La sangre y la lluvia
Genres:
Drama
Production Companies:
Efe-X
Hangar Films
Lagarto Cine
Patofeo Films
RCN Films & e-nnovva
Production Countries:
Argentina | Colombia
Ratings / Certifications:
N/A
Runtime: 109
Taxi driver Jorge begins his night shift bent on revenge after his brother's murder at the hands of a violent gang. But when an accident brings him unexpectedly closer to his party-girl fare Angela, the damaged pair must struggle against forces already set in motion, drawing them inexorably into the rain soaked underworld of Bogota
Art Direction:
Jaime Luna
Associate Producer:
Gonzalo Castellanos V.
Mauricio Aristizábal
Boom Operator:
Juan Felipe Rayo
Casting:
Juan Pablo Félix
Colorist:
Leo Otero G.
Jose Espinosa Romero
Director:
Jorge Navas
Director of Photography:
Juan Carlos Gil
Editor:
Sebastian Hernandez
Electrician:
Jose Jaime Rodriguez
Executive Producer:
Carolina Barrera
Wilson Gomez
Hugo Castro Fau
Julián Giraldo
Foley Artist:
Daniel Garces Najar El Gato
José Hernán Valenzuela
Gaffer:
Diego Pamplona
Key Makeup Artist:
Ana Maria Olivos
Post Production Coordinator:
Adriana Ángel Hernández
Post Production Producer:
Adriana Ángel Hernández
Producer:
Wilson Gomez
Jorge Navas
Vicky Idrobo
Production Assistant:
Julián Laguna
Mirlanda Torres
Production Design:
Jaime Luna
Production Manager:
César Augusto Rodríguez
Property Master:
María Ordoñez
Screenplay:
Alizé Le Maoult
Jorge Navas
Carlos Henao
Second Assistant Camera:
Marco Fernandez
Set Dresser:
Monica Copete
Sound:
Sebastián Escofet
Sound Designer:
Alejandro Gomez Upegui
Sound Effects Editor:
Juan Felipe Correa
Supervising Sound Editor:
José Hernán Valenzuela
Visual Effects:
Nico Coronado
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.