A work in constant progress (and occasional regress).
Release Date:
February 8, 2009
Original Title:
Prime Mover
Genres:
Drama
Production Companies:
New South Wales Film & Television Office
Porchlight Films
Screen Australia
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 90
A long haul truckie who finds that the reality of his existence is far removed from his youthful dreams of owning and driving his own prime mover.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Alex Holmes
Assistant Editor:
Basia Ozerski
Associate Producer:
Linda Micsko
Casting Director:
Nikki Barrett
Choreographer:
Gavin Robins
Costume Designer:
Charlotte Haywood
Costume Supervisor:
Jade Sims
Dialogue Editor:
Tony Murtagh
Director:
David Caesar
Director of Photography:
Hugh Miller
Editor:
Mark Perry
Executive Producer:
James M. Vernon
Liz Watts
Anita Sheehan
First Assistant Director:
John Titley
Graphic Designer:
Darrin Hanley
Hair Designer:
Dakota Matich
Makeup Designer:
Dakota Matich
Music Supervisor:
Norman Parkhill
Musician:
Jed Kurzel
Original Music Composer:
Paul Healy
Post Production Supervisor:
Erin McGookin
Producer:
Vincent Sheehan
Production Coordinator:
Edel Kavanagh
Production Design:
Nell Hanson
Production Manager:
Sandy Stevens
Script Supervisor:
Melina Burns
Second Assistant Director:
Andrew Pante
Second Unit Director of Photography:
Eric Murray Lui
Set Decoration:
Brock Sykes
Sound Designer:
Liam Egan
Sound Effects Editor:
Jennifer Sochackyj
Sound Mixer:
Robert Sullivan
Sound Recordist:
Mark Cornish
Stunt Coordinator:
Tony Lynch
Third Assistant Director:
Maree Cochrane
Title Designer:
Darrin Hanley
Unit Manager:
Ralph Belcher
Visual Effects Supervisor:
Phil Stuart-Jones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.