A work in constant progress (and occasional regress).
Release Date:
June 14, 2012
Original Title:
DonT Stop
Production Companies:
Evolution Films
FilmFrame
HBO Česká republika
Studio Bystrouška
Universal Production Partners
Production Countries:
Czech Republic | Slovakia
Ratings / Certifications:
CZ: 12 PL: 16 RO: 18
Runtime: 97
Prague, 1983. The communist regime, in a suffocating atmosphere ruled over by the secret police, imposes "normalization". Miki and David need some kind of motivation to carry on in the communist wasteland. They discover The Clash's album 'London Calling' and, of course, decide to set up a punk band. But playing punk during normalization in Czechoslovakia isn't the best idea, an opinion shared not only by their horrified parents. Many decisions made under the influence of cheap alcohol and compulsive music could be more fatal than they initially seemed. A story about the revolt of some 18-year-olds against authority, against social norms, against adult duties and responsibility. It is about the search for one's own models and values. Although based on personal experiences from the early 1980s, it could have taken place at any time and anywhere, and is more than likely taking place somewhere right now.
Costume Design:
Kateřina Coufalíková
Director:
Richard Řeřicha
Director of Photography:
Martin Žiaran
Dramaturgy:
Petra Soukupová
Editor:
Petr Mrkous
Executive Producer:
Ondřej Zima
Makeup Artist:
Lukáš Král
Music:
Roman Helcl
Richard Řeřicha
Michal Pajdiak
Producer:
Jan Ludvík
Ondřej Zima
Pavel Berčík
Production Manager:
Filip Brouk
Šimon Borecký
Sound:
Richard Řeřicha
Matěj Matuška
Michal Čech
Writer:
Richard Řeřicha
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.