A work in constant progress (and occasional regress).
Release Date:
May 1, 1992
Original Title:
All the Vermeers in New York
Genres:
Comedy | Drama | Romance
Production Companies:
American Playhouse
Complex Corporation
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 87
A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.
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Director:
Jon Jost
Director of Photography:
Jon Jost
Editor:
Jon Jost
Executive Producer:
Lindsay Law
Key Grip:
Ian Teal
Original Music Composer:
Jon A. English
Producer:
Henry S. Rosenthal
Production Manager:
Molly Bradford
Sound Mixer:
John Murphy
Sound Recordist:
Joe Romano
Writer:
Jon Jost
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