A work in constant progress (and occasional regress).
Release Date:
April 24, 2024
Original Title:
Tiempo de pagar
Genres:
Crime | Thriller
Production Companies:
Después De Hora
Universidad del Cine
Production Countries:
Argentina
Ratings / Certifications:
AR: +13
Runtime: 63
An Argentinian money exchanger finds himself involved in a series of problems that lead him on a marathon odyssey against the clock.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Director:
Victoria Freidzon
Guido Montini
Assistant Editor:
Valentina Garriga
Associate Producer:
Valentín Wein
Lucero Besserman
Santiago Logiurato
Matias Wong
Rodrigo Garcia Prieto
Daniel Garces Najar El Gato
Kevin Bohdanowicz
Color Grading:
Gabriel Argüello Marsal
Costume Design:
Carolina Herrera
Digital Imaging Technician:
Tomas Slapak
Director:
Felipe Wein
Director of Photography:
Joaquín Pulpeiro
Editor:
Manuel Ferrari
Firu Fichendler
Executive Producer:
Andy Sabban
Nadiv Gold
Franco Duer
Focus Puller:
Tadeo Ruggiero
María Eugenia Salgado
Gaffer:
mauro castelli
Lourdes Sanz
Music:
Dante Fisi
Producer:
Felipe Wein
Juanma Ozan
Eliana Bergamasco
Producer's Assistant:
Tobias Rodriguez Guerrieri
Pai Sepulveda
Production Design:
Clara Ortigoza
Second Assistant "A" Camera:
Sofía Lizzoli
Tomas Slapak
Set Decoration:
Maite Pilar Otegui
Sound:
Facundo Sasson
Sound Assistant:
Matías Badariotti
Sound Designer:
Facundo Sasson
Daniel Garces Najar El Gato
Still Photographer:
Lucas Wiersch
Visual Effects:
Agustin Torres
Writer:
Felipe Wein
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.