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Marvel Studios Assembled: The Making of The Marvels (2024) [PG]

Release Date:
February 6, 2024

Original Title:
Marvel Studios Assembled: The Making of The Marvels

Alternate Titles:
《惊奇队长2》的幕后特辑

Genres:
Documentary

Production Companies:
Marvel Studios

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  AU: PG  BG: C  BR: 12  CA: PG  CH: 12  CZ: 12+  DE: 12  ES: 12  FI: K-12  FR: 12  GB: 12  GR: K12  HK: I  HU: 12  IE: 12  IL: 12  KR: 12  LU: 12  LV: 12+  MX: B  NL: 12  NO: 12  NZ: M  PL: 12  PR: PG  PT: M/12  RO: 12  SG: PG  SK: 12  TR: 13+  US: PG  VI: PG 

Runtime: 59

Overview from TheMovieDB

Take an intergalactic trip with the cast and crew of "The Marvels" as they tell their experiences making this weird and wonderful film. Step into all the departments of production and discover how they created complex fight scenes, countless alien life forms, and some of the most elaborate sets ever. From dance parties to kitten days, the cast and crew had an unforgettable time making the movie.

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Additional information:

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Performers

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Production

Additional Editing:
Charlie Visnic
Joshua Sasson
Nathan Aceves

Assistant Editor:
David Wiese

Colorist:
Todd Roisman

Director of Photography:
Callum Holt
Hannah B. Mitchell

Editor:
Leonard Wilkes

Executive Producer:
Kevin Feige
Brad Winderbaum
Louis D'Esposito
Brad Baruh
Jeff Redmond
Victoria Alonso

Graphic Designer:
Ellsworth Ramclam
Charlie Visnic

Online Editor:
Greg Schwartz

Other:
Jinah Park
Iris Lee

Post Production Supervisor:
Connor Laux

Producer:
Charlie Visnic

Production Supervisor:
Allison Dana

Sound Re-Recording Mixer:
John O'Herron

Writer:
Jesse Latour

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.