A work in constant progress (and occasional regress).
Original Title:
Signals
Genres:
Drama | Romance
Production Companies:
Bennies Films
Production Countries:
Germany
Ratings / Certifications:
N/A
Assistant Camera:
Niklas Bohlen
Saskia Mayerhoff
Georg Eriksen
Matthias Preissner
Tim Vauth
Assistant Director Trainee:
Joshua Brangs
Sandra Brangs
Assistant Editor:
Toni Bajgora
Marcus Jörns
Julia Velten
Jannik Mentzel
Best Boy Electric:
Kerstin Reder
Best Boy Electrician:
Julia Velten
Lisa Schmautz
Best Boy Lighting Technician:
Linus Nakazi
Boom Operator:
Jakob Lissowsky
Catering:
Susanne Weber
Bettina Bennies
Martina Bennies
Daniela Anders
Holger Bennies
Continuity:
Marcus Jörns
Jakob Wilczek
Richard Frings
René Schare
Lukas Lübberstedt
Sarah Lohmann
Costume Designer:
Neele Livia Bail
Creative Consultant:
Tara Singer
Susanne Weber
Director:
Louis Bennies
Director of Photography:
Julian Glogau
Driver:
Sandra Brangs
Lisa Schmautz
Mark Schellenberg
Toni Bajgora
Executive Producer:
Holger Bennies
Wolfgang Heyder
Christian Frese
Bettina Bennies
Stefanie Hamer
Sascha Wiese
Linda Oesterle
First Assistant Director:
Rémi Galtay
Gaffer:
Vincent Kipping
Laura Gailus
Fabian Pehl
Kaan Dalgic
Lighting Technician:
Fabian Pehl
Line Producer:
Maria Guk
Louis Bennies
Makeup Artist:
Neele Livia Bail
Angelia Plitt
Manager of Operations:
Lena Dandanelle
Finnegan Müller
Emelie Fischer
Jannis Metzmann
Nikolaj Dunken
Music:
Leon Bungert
Production Assistant:
Nicolas Fischer
Moritz Fürste
Madeleine Herring
Production Manager:
Maria Guk
Second Assistant Director:
Charlotte Röhn
Anna Sickmann
Jonas Martin
Set Designer:
Mark Schellenberg
Björn Dölling
Robin Luca Tesmer
Set Photographer:
Sören Reinecke
Jona Jelinek
Set Runner:
Julius Himstedt
Marinus Fock
Toni Bajgora
Songs:
Brian Hazard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.