A work in constant progress (and occasional regress).
Release Date:
April 30, 2025
Original Title:
Exterritorial
Genres:
Action | Thriller
Production Companies:
Constantin Television
Epo-Film
Production Countries:
Austria | Germany
Ratings / Certifications:
SG: NC16
During a visit to the US consulate in Frankfurt, the young son of former Special Forces soldier Sara suddenly disappears without a trace. And not only that: no one seems to remember him ever entering the building. Sara is asked to leave the consulate. But she knows that the German authorities have no access to the consulate. If she leaves now, she may never be allowed to enter the premises again. In her desperate search for her child, Sara disappears into the labyrinth of the consulate, unaware that the noose of a dangerous intrigue is tightening around her neck.
Art Direction:
Klaudia Kiczak
Assistant Property Master:
Bernhard Klinger
Boom Operator:
Chuqi Lu
Albert Car
Casting Associate:
Andrea Rodríguez
Casting Director:
Lisa Stutzky
Cornelia von Braun
Concept Artist:
Leif Heanzo
Continuity:
Renate Neugebauer
Costume Designer:
Anna Zeitlhuber
Director:
Christian Zübert
Director of Photography:
Matthias Pötsch
Executive Producer:
Oliver Berben
First Assistant Director:
Susanne Nowotny
Graphic Designer:
Michael Nolan
Barbara Dezasse
Health and Safety:
Katharina Haudum
Line Producer:
Sylvia Binder
Producer:
Verena Vogl
Kerstin Schmidbauer
Götz Marx
Producer's Assistant:
Caroline Meyer
Production Design:
Heike Lange
Production Driver:
Christoph Pirek
Production Sound Mixer:
Herbert Verdino
Property Master:
Johannes Wild
Second Assistant Camera:
Sarah May Handler
Second Assistant Director:
Stefanie Miftari
Second Second Assistant Director:
Alexandra Puia-Frenchkowski
Set Decoration:
Marei Hitzler
Set Dresser:
Aaron Crookes
Hans Wagner
Gabriel Scheib
Laura Zimmek
Set Runner:
Moritz Schmatz
Standby Property Master:
Tobias Gollner
Martin Czerniak
Stunt Double:
Simon Grzesczak
Ivan Forlani
Writer:
Christian Zübert
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.