A work in constant progress (and occasional regress).
Release Date:
January 1, 2009
Original Title:
The Pikme-Up
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 72
In the mid-1980's the coffeehouse movement in Los Angeles was beginning with wild promise. A tattered Hollywood storefront called The Pikme-up became the prototype for a new subculture that started as an unruly rebellion and exploded into a national phenomenon. The place was a bohemian revolution, a happening of ideas, poetry, music, and performance where a motley group of outcasts formed a unique community and an enduring family. Our documentary on The Pikme-up utilizes an amazing wealth of materials--more than 5000 photographs, over 200 video hours of performances, hundreds of print elements, and intimate interviews with friends, employees, and performers. We hope our experimentation with the materials and how memory is represented in film is true to the spirit of this amazing moment in Los Angeles cultural history.
Art Direction:
Gabriel Dunne
Director:
Andrew Crane
James Keitel
Scott Hessels
Original Music Composer:
Roddy Bottum
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.